寄存器
降低音域：通过适当的呼吸和中立的喉部位置，能够一直支持E3的声音。 然而，E3的注释通常会变得更安静，连接更少，虽然音调仍然存在，但有轻微的通风和较少的投影。
混音：通常情况下，在大多数情况下，她的声音听起来年轻而明亮时，会使用非常均衡的混音。 支持直到B4出现，共振和一致性直到Bb4。 在B4之上，音符变得更加尖锐和被推动。
上位寄存器：大部分未被使用的寄存器，其声音变得最弱，缺乏投影。 她的声音仍然拥有足够的音调控制权，即使在这个音域里也可以自由地进行声乐运动。

温拿

WINNER’s Vocal Analysis: Seungyoon
Vocal Range
Eb2 ~ C6 (3 octaves, 4 notes and 1 semitone)
Supported Range
Bb2 ~ Eb4
Bb2 ~ Bb4 (with head voice)
Voice Type
Baritone

Strengths/Achievements
Strongest vocalist in WINNER
Support is consistent throughout his mid range
Mixed voice remains supported up to Eb4
Some support can be carried up to E4, very inconsistently
Able to use a connected supported head voice
Able to produce resonance
Lower range remains present even below where support is present
____________
Weaknesses
Tends to push his mix with his throat
Inconsistencies with support around E4 and above due to harsh approach
Favors style over technique which causes him to be aggressive in his singing
Tends to not open up his throat enough
Resonance is produced rarely
Nasality can be present in his singing
Usually uses falsetto with a lot of pushing and throat tension
Lower range below Bb2 is not used often, under-explored

优势/成就
WINNER中最强的歌手
在他的中间范围内支持是一致的
混合声音依然支持到Eb4
一些支持可以进行到E4，非常不一致
能够使用连接的支持的头部语音
能够产生共振
更低的范围仍然存在，即使在支撑位置以下
_____________
弱点
倾向于用他的喉咙推挤他的混合物
由于严酷的方法，E4和以上的支持不一致
给技术带来风格，导致他在唱歌中充满侵略性
倾向于不足以打开他的喉咙
共振很少产生
他的歌声中可以出现鼻音
通常用很多推和喉咙紧张的假声
低于Bb2的范围不经常使用，探索不足

Registers
Lower register: His lower range mostly remains underused but decently developed. He has enough vocal cord strength in his chest voice muscles to be able to maintain tone throughout his range, although support seems to not be present often below B2.
Mixed register: His mixed voice is mostly quite chest-dominant. He tends to push his chest voice into his mix as he ascends in range and is able to maintain support up to Eb4. Above that he tends to be too throaty and support becomes inconsistent.
Upper register: At times able to use a head voice, mostly within a reasonably lower range. Tends to push too much air pressure into his upper head voice and falsetto range, causing him to sound strained.

寄存器
较低的登记册：他的较低的档案大多仍然没有被充分利用，但体面发展 他胸部的声音肌肉中有足够的声带强度，能够在整个范围内保持声调，尽管支持似乎不是经常在B2以下。
混合注册：他的混音主要是胸部优势。 当他在范围内上升时，他倾向于将自己的胸部的声音推向混合，并能够保持对Eb4的支持。 在此之上，他往往太th and，支持变得不一致。
上位寄存器：有时可以使用头部声音，大部分在合理的较低范围内。 倾向于将太多的气压推入他的头顶声音和假声范围，使他听起来很紧张。

前成员Nam Taehyun’s Vocal Analysis
Vocal Range
F2 ~ A5 (3 octaves and 2 notes)
Supported Range
Eb3 ~ E4/F4
Voice Type
Tenor

Strengths/Achievements
Second strongest vocalist in WINNER
Support is present throughout an octave of his voice
Sense of pitch is quite consistent and clean
Lower range maintains support down to Eb3 consistently
Support is present up to F4, occasionally F#4
Transitions into falsetto can be smooth
____________
Weaknesses
Sense of support isn’t very strong, tends to be shallow
Places his voice almost entirely in his nose
Tends to sing with a high larynx above F4
Falsetto tends to be quite pushed and whiny in placement
Sounds generally tiny and tight in his mix
Unable to change dynamics in his singing drastically most of the time

优势/成就
WINNER中第二强的歌手
他的声音的八度支持是存在的
球场的感觉是相当一致和干净的
较低的范围始终支持Eb3
支持目前的F4，偶尔F＃4
转换成假声可以很顺利
____________
弱点
支持意识不强，趋于浅薄
几乎把他的声音放在他的鼻子里
倾向于唱F4以上的高喉
Falsetto倾向于相当推动和发牢骚
听起来一般都很小而且紧凑
大部分时间都无法彻底改变他的演唱动态

Registers
Lower register: His lower range has shown a decent amount of development, especially for a tenor. While not able to maintain proper support down to C3, he’s able to project his lower range and chest voice as low as A2, though support only exists starting from Eb3.
Mixed register: His mixed voice is possibly his least developed register. Unable to truly sing above his first passaggio properly, he has developed a lot of bad habits in his approach in his mix, where only some shallow support is present up to E4/F4.
Upper register: His upper register mostly consists of a falsetto or at times a pushed, tight, nasally placed head voice. Most of his transitions into his falsetto tend to be quite clean due to him seeming to sing more in his falsetto than his upper mix.

寄存器
较低的注册表：他较低的范围显示了一个相当大的发展，尤其是一个男高音。 虽然不能保持C3的适当支援，但是他能够将自己的低音和胸部发声低至A2，尽管支持只能从Eb3开始。
混合寄存器：他混合的声音可能是他最不发达的寄存器。 无法真正唱出自己的第一个passaggio，他在他的混合方法已经发展了很多不良的习惯，只有一些浅层的支持，直到E4 / F4。
上位寄存器：他的上位寄存器大多由一个假声或有时被推，紧，鼻放置的声音组成。 他的大部分转换成他的假话往往是相当干净的，因为他似乎要唱更多的假声比他的上层混合。

敏智的补上音乐素养
Minzy’s vocal ability does not allow her to really showcase many melodic or rhythmic changes in her singing. When attempted, she has the tendency to lose pitch and not execute runs correctly. Due to her knowledge of herself, however, she does not tend to attempt doing things she’s not capable of doing and will generally sing songs as they’re given to her. At times however, she’s able to correctly execute melodic changes, such as changing runs that are too low for her in “If I Ain’t Got You.”
Minzy的声音能力不允许她在歌唱中真正展现出旋律或节奏的变化。 尝试时，她有倾向于失去倾向，而不是执行正确运行。 然而，由于她对自己的了解，她并不倾向于去做自己不能做的事情，而是一般会唱给她听。 然而，有时她能够正确地执行旋律变化，例如在“如果我没有得到你”的情况下改变对她来说太低的运行。

春妞的
Musicianship
Bom lacks any real ability to change songs without going off pitch and losing control of her voice. Due to her lack of support, she’s incapable of musically finding alternate melodies to sing through difficult songs and will often strain her voice and get pitchy in performances.
音乐修养
宝没有任何真正的能力去改变歌曲，而不会失去控制和失去控制的声音。 由于缺乏支持，她无法在音乐中找到交替的旋律来唱出难的歌曲，而且往往会使自己的声音变得沉闷，而且表演时间太短。

谢谢