继续21

Park Bom’s Vocal Analysis [Newly Updated]
Vocal Range
D3 ~ G#5 (2 octaves and 3 notes)
Supported Range
Bb3 ~ G#4/A4
Voice Type
Soprano

Strengths/Achievements
Able to keep decent tone production down to Bb3
Somewhat capable of keeping pitch and support in the fourth octave up until G#4
Used to be able to support notes up to Bb4 and occasionally C5
Decent pitch in her supported range when in good condition
_____________
Weaknesses
Larynx is barely ever stable, raising easily in notes above G#4
Tends to be very nasal in placement and not really lift her soft palate
Falsetto is very unsupported and breathy, barely even comes out at times
Shallow support and control in her mix
Throat closes easily in her mix and even in her supported range at times
Any note below Bb3 is quiet, unstable and lacks support
Lacks breath control and breath support throughout most of her range
Very narrow supported range and overall range in general
Every register in her voice is rather underdeveloped
Not able to connect her lines smoothly with legato, without sounding clearly choppy

优势/成就
能够保持良好的音调生产到Bb3
有些能够保持在第四个八度的音调和支持，直到G＃4
以前可以支持最多Bb4和偶尔C5的音符
良好的状态下，在她支持的范围内体面
_____________
弱点
喉头几乎没有变化，在G＃4以上的音符中很容易上升
在放置时往往是非常鼻腔，并没有真正解除她的软腭
Falsetto是非常没有支持和气息，有时甚至出现
在她的组合浅支持和控制
喉咙很容易关闭，甚至在她的支持范围内
Bb3以下的任何音符都很安静，不稳定，缺乏支持
她的大部分范围缺乏呼吸控制和呼吸支持
总的来说，支持范围和总体范围非常狭窄
她的声音中的每一个登记都相当不发达
不能连接她的线条与连奏，没有听起来明显的波涛汹涌

Registers
Lower register: Bom’s lower register can extend down to an D3/Eb3 very quietly and with some tone. Her range between D3 and Bb3 however is very unstable and lacks control of pitch and tone production, barely projecting most of the time
Mixed register: Her mixed register is very underdeveloped with a lot of straining and letting her throat close easily anywhere above G#4, which for any female voice type is considerably low. Her supported range lacks full connection and control in pitch and is often nasally placed
Upper register: Underused and underdeveloped. Most of the time Bom decides not to use falsetto unless a song requires her to, but when she does she tends to be very breathy and airy, lacking true connection between her vocal cords, letting the air come through and not allowing her to produce a full stable head voice.

寄存器
较低的寄存器：Bom的较低寄存器可以非常安静地以一些音调向下延伸到D3 / Eb3。 她的D3和Bb3之间的距离非常不稳定，缺乏对音调和音调的控制，大部分时间都没有投影
混合登记簿：她的混合登记册非常不发达，有很多紧张，让她的喉咙容易接近G＃4以上的任何地方，对于任何女性的声音类型是相当低的。 她的支持范围缺乏全面的连接和控制在球场上，往往鼻子放置
上限寄存器：使用不足和欠发达。 大多数情况下，Bom决定不使用假声，除非有一首歌需要她，但是当她这样做的时候，她往往会非常气息和通气，她的声带之间缺乏真正的联系，让空气通过，不让她产生 充满稳重的头顶声音。

MY VOCAL ANALYSIS] OneHallyu #8 — Lee "CL" Chaerin from 2NE1
VOCAL RANGE: C#3 — E5 (2 octaves, 1 note and 1 semitone)
Supported range: G#3 – A4 (1 octave and 1 semitone)
One of CL’s strongest points when it comes to singing is her pitch production, which comes naturally whenever the singer is performing inside her comfort zone (her supported range) and is able to stay in pitch as she ascends most of the time. Being a wise musician, CL knows how to use her different vocal registers when singing live, instead of pushing her voice in order to expand her not-yet developed areas. This becomes evident when she replaces high belts with falsettos, like in the chorus ofUGLY and in Marvin’s Room.
Vocal positives: Her lower register is somewhat developed because of the nature of her vocal type, with a decent projection and support. CL has good projection from time to time in her belting register. She does not try to sing outside her supported range.
Vocal negatives: As a rapper, CL has not shown a lot of interest in improving her singing thus causing a lack of true improvement since her debut days. Her voice is very nasal in every register, with a placement in her throat as she ascends to the fifth octave. Her mix has a lot of chest and is pushed at times to sound “raspier” and stronger, which represents a lack of control in her mixed voice. Her falsetto and head voice registers are undeveloped and only used when the singer does not try to mix higher notes.

声乐范围：C＃3 - E5（2个八度，1个音符和1个半音）
支持的范围：G＃3 - A4（1个八度和1个半音）
当谈到唱歌的时候，CL最强的一点就是她的音调制作，当歌手在她的舒适区（她的支持范围）内表演时，歌手自然而然就会自然而然，并且随着她大部分时间的攀登，她都能够保持高音。作为一个聪明的音乐家，CL知道如何在现场演唱时使用不同的声乐寄存器，而不是为了扩大她尚未发展的地区而推动她的声音。当她用丑角替代高腰带，就像在UGLY的合唱团和马文的房间里一样。
声乐方面：由于她的声乐类型的性质，她的较低的音域有所发展，具有良好的投影和支持。 CL在她的皮带登记册中不时有好的投影。她不会在她支持的范围之外唱歌。
声乐底片：作为一个说唱歌手，CL并没有表现出很大的兴趣来改善她的歌唱，从而导致缺乏真正的改善，因为她的初次登台。她的声音在每个登记册里都是非常鼻音的，当她升到五度音阶时，她的喉咙就位置了。她的混音有很多的胸部，有时被推动发出“raspier”和更强，这代表了她的混合声音缺乏控制。她的假声和头部声音记录是不发达的，只有当歌手不尝试混合较高的音符时才使用。

LOWER REGISTER
Although CL does not explore her lower register as much as she could, it is where her voice shines the most and gives her a dark-colored nature whenever she sings down to G#3 and a more supported voice is present with a decent projection, as shown in her performance of So Sick. The lowest she can go with chest voice is C#3 (see CRUSH), but projection and support start losing form since G#3 and ocasionally A3, causing a more airy production in the rest of the notes with a more throaty sound, which indicates she is using fry to reach lower notes, as shown in Marvin’s Room and Take a Bow.
MIXED REGISTER
The register in which she sings most of the time, CL owns a somewhat developed mixed voice. Lacking in placement (a nose placement 90% of the time), a good projection can cover this register until A4 with a “healthy” technique (see Take a Bow). Notes above A4 tend to sound pushed and unsupported, as shown in her performances of Killing me Softly, I Don’t Care andBroken Hearted Girl, but vibrato is present most of the time and stability has improved since debut (see I Love You). She can hit D5 with this register, although she commonly does not go higher than B4.
HIGHER REGISER
There are problems with the placement and use of this register, and even if the singer uses falsetto to produce most of the notes in the 5th octave, whenever she goes higher than B4 it sounds disconnected, airy and unsupported (see Come Back Home, Lonely and UGLY). Although supported in the fourth octave, the projection of her falsetto is still undeveloped and transitions are almost always not in a straight line. Intonation is achieved commonly and legato inside the register is decent, as shown in the intro of Stay Together. The highest she has gone with this register is E5.

下注册
尽管CL并没有尽可能多的探索她的下位机，但是当她唱到G＃3的时候，她的声音就是最亮的地方，并且给了她深色的色彩，如她的表现所示。她能用胸部发出的声音最低的是C＃3（见CRUSH），但是投影和支持从G＃3和偶然的A3开始就失去了形式，在其余的音符中产生了更加通风的声音，表示她正在使用油炸来达到较低的音符，如Marvin's Room and Take a Bow所示。
混合注册
她大部分时间都在唱歌，CL拥有一些发达的混音。缺乏放置（90％的时间放置鼻子），一个好的投影可以覆盖这个注册，直到A4“健康”的技术（见“一把弓”）。上面A4的音符倾向于声音被推动和不被支持，如她的表演杀软我，我不在乎和伤心的女孩，但颤音是目前大多数时间和稳定性已经改善自亮相（见我爱你） 。她可以用这个寄存器打D5，虽然她一般不会比B4高。
高级管理人员
这个寄存器的放置和使用都存在问题，即使歌手使用假声来产生五度音阶的大部分音符，每当她高于B4时，它听起来都是断开的，通风的和不受支持的（见回家，寂寞和UGLY）。尽管在第四个八度音阶中得到支持，但她的假说仍然没有得到发展，转换几乎总是不成直线。调音是通常实现的，并且在注册里面的连音是体面的，如Stay Together的介绍中所示。她登记的最高的是E5。

Lee Hi’s Vocal Analysis
Vocal Range
C#3 ~ G#5 (2 octaves, 3 notes and 1 semitone)
Supported Range
E3 ~ Bb4/B4
Voice Type
Mezzo-Soprano

Strengths/Achievements
Possibly and arguably the strongest vocalist in YG entertainment presently
Able to keep tone and support down to E3 consistently
Possesses a very agile voice, with good note separation
Resonance is present in the voice from time to time
Able to keep consistent support in her voice up until Bb4/B4
Notes in falsetto are controlled for the most part
Pitch is consistently controlled in her voice
Musicianship is very prominent in her singing
Mixed voice is bright and more head dominant, so there’s less strain on the vocal cords
____________
Weaknesses
Although voice is agile, runs lack precision in pitch
Notes below E3 lack support and tone, although they’re still audible and not airy
Resonance is not often achieved
Notes above B4 are often produced with tension and strain
Falsetto register is weak in terms of tone production and isn’t often used
Voice is very young and could easily change, so some of the vocally heavy songs she sings can damage her voice
Mixed voice is not very flexible and lacks tone and control
Notes above C#5 can often sound unstable, tight and screechy
Vowels such as Woo (우), Eu (으) and Aye (애) cause her swallowing muscles to close her throat

优势/成就
目前YG娱乐圈中可能和可以说是最强的歌手
能一直保持对E3的语气和支持
拥有非常敏捷的声音，并有良好的音符分离
共鸣是不时出现在声音中的
能够一直支持她的声音直到Bb4 / B4
假声中的注释大部分是受控制的
音调始终受到她的声音控制
她的演唱音乐非常突出
混合声音明亮，头部占主导地位，所以声带的张力较小
____________
弱点
虽然语音敏捷，但是跑步精度不够
下面的注释E3缺乏支持和语气，虽然他们仍然可以听到，不通风
共振不是经常实现的
B4以上的注释通常会产生张力和张力
Falsetto声调在音调方面较弱，不常使用
声音非常年轻，很容易改变，所以她唱的一些沉重的歌曲可能会伤害她的声音
混音不够灵活，缺乏调控
上面的注释C＃5经常听起来不稳定，紧张和尖锐
元（as），（（으）和A（애）等元音引起吞咽肌肉闭上喉咙

Registers
Lower register: Able to support down to E3 consistently with an even column of sound, through proper breathing and a neutral larynx position. Notes below E3, however, generally become more quiet and less connected, with a slight hint of airiness and less projection, although tone is still present.
Mixed register: Normally a very balanced to head-dominant mix is used where her voice sounds youthful and bright for most of the time. Support is present up until B4, with resonance and consistency up until Bb4. Above B4, notes become more screeched and pushed.
Upper register: Most underused register, where her voice becomes the weakest and lacks projection. Her voice still possesses enough control of pitch to freely carry out vocal runs even in this register.

寄存器
降低音域：通过适当的呼吸和中立的喉部位置，能够一直支持E3的声音。 然而，E3的注释通常会变得更安静，连接更少，虽然音调仍然存在，但有轻微的通风和较少的投影。
混音：通常情况下，在大多数情况下，她的声音听起来年轻而明亮时，会使用非常均衡的混音。 支持直到B4出现，共振和一致性直到Bb4。 在B4之上，音符变得更加尖锐和被推动。
上位寄存器：大部分未被使用的寄存器，其声音变得最弱，缺乏投影。 她的声音仍然拥有足够的音调控制权，即使在这个音域里也可以自由地进行声乐运动。