Strengths/Achievements
Strongest vocalist in GOT7
Support is consistent within his supported range up to F#4
Most consistent sense of support amongst GOT7 members
Pitch is generally clean
Transitions into falsetto are generally smooth
Occasionally able to maintain a degree of support up to G4
Lower range maintains tone below his supported range
Chest voice remains supported and forward down to D3
Falsetto is generally relaxed

优势/成就
GOT7中最强的歌手
在支持的F＃4范围内，支持是一致的
GOT7成员中最持续的支持感
沥青一般是干净的
过渡到假声通常是平稳的
偶尔能够保持到G4的一定程度的支持
较低的范围保持低于他支持的范围的音调
胸前的声音仍然支持，并转发到D3
Falsetto一般都很放松

Weaknesses
Falsetto register is rarely used and under explored
Tends to place his voice in his nose
Lacks openness in his voice
Lower range becomes muffled below D3
Improper throat shape and jaw position when singing wide vowels
Tends to place his voice too low in his chest and throat within his supported range
Above F#4 his mix tends to become thinner and tighter

弱点
假音音域很少使用和正在探索之中
倾向于把他的声音放在他的鼻子
他的声音缺乏开放性
低于D3的范围变低
唱宽元音时喉音形状不当，下颌位置不合适
他倾向于把他的声音放在他的支持范围内的胸口和喉咙里
在F＃4以上，他的组合会变得越来越薄

Registers
Lower register: He’s able to maintain tone quite consistently down to C#3 most of the time, but support seems to only start being present from D3. Below that he tends to become airier and muffled.
Mixed register: Mixed voice is consistently supported and better approached when singing phrased lines, as opposed to sustained notes. Above F#4, he tends to become throaty and tight.
Upper register: Falsetto is rarely used and seems to be his least developed register. He doesn’t seem quite comfortable singing in this register, although he can stay quite relaxed even up to D5.

音域
低：大多数情况下，他可以保持一致到C＃3，但支持似乎只是从D3开始。 在那之下他往往变得更加空气和闷闷不乐。
中：与持续注释相反，混合声音持续得到支持，并且在唱出措辞时更好地接近。 在F＃4之上，他倾向于变得嘶哑和紧张。
高：假音很少使用，似乎是他最不发达的音域。 他在这个音域上唱歌看起来不太舒服，虽然他可以保持相当宽松，甚至达到D5。

敏捷
Youngjae的主要演唱风格似乎来自传统的流行和民谣。 尽管过去他被引用美国和外国的R＆B歌手作为他最喜欢的歌手，但是这种影响并不像他唱的那样明显。 他很少做声带运动，这可能表明他对这个领域的声音并不是很自信。 他表现出很少的声乐敏捷的例子，在那里他能够通过很清楚地唱出每个单独的音符来实际上唱慢的melismas，即使在中间有快速的刺激。 例如“A”和“Fly”。然而，很难听到他唱出更复杂或更快的歌曲，但是当他唱出更复杂的歌曲时，他缺乏清晰度，变得像“Moves Like Jagger“和”주문（Mirotic）“。

音乐修养
Youngjae的演唱风格很简单 他并不倾向于在他的声乐表演中加入太复杂的东西，而是通过尽可能地将原声旋律尽可能地唱出来，从而更有效地传递歌词。 由于GOT7的主要焦点不在于声乐，Youngjae并不经常有机会唱和声。 他可以并且已经表现出很少的时候，即使不唱和谐，他也可以把他的声音和他人混在一起。 这可以在“달빛”中听到。大部分Youngjae并不是因为太高而没有声调，也没有太复杂的歌唱，他没有把自己的旋律思想添加到他的大部分歌唱表演中。

Strengths/Achievements
Second strongest vocalist in GOT7
Shown improvement in his transitions and pitch over the years
Able to show some sense of breath support, even if inconsistently
Support is present in his mix up to E4/F4
Lower range maintains a relaxed and forward approach down to E3/F3
Falsetto transitions are better done pitch wise
__________
Weaknesses
Mixed voice is strained and pushed even within his supported range at times
Tends to use his throat when singing with more volume
Glottal tension present within his supported range
Unable to lift his soft palate, voice is often placed in his nose
Lower range below E3 lacks support and becomes airy
Runs are often pitchy and lack flow
Support is inconsistent
Above F4 tends to sing with a lot of throat tension and tightness
Upper register is thin, airy and lacks development using only falsetto

优势/成就
GOT7中第二强歌手
他的转变和多年来的表现都有所改善
即使不一致，也能显示一些呼吸支持的感觉
支持是在他的混合到E4 / F4
较低的范围保持轻松和向前的方式，直到E3 / F3
Falsetto转换在音高方面更好
____
弱点
混杂的声音有时会在他的支持范围内受到压制和推动
用更多的音量唱歌时，倾向于用他的喉咙
在他支持的范围内出现了声门张力
无法解除他的软腭，声音往往放在他的鼻子
低于E3的范围缺乏支持，并变得通风
运行通常是间歇性的，缺乏流动性
支持不一致
F4以上倾向于唱很多喉咙紧张和紧张
上面的寄存器很薄，通风，没有使用false的缺乏开发

Registers
Lower register: The lower part of his range is not often used and seems to be rather underdeveloped. Down to F3 tone is present with enough amount of support, but as he sings below E3 his voice becomes airy and quiet.
Mixed register: His mixed voice is quite bright in placement, and more on the head-dominant side in terms of mixing. He is able to remain relaxed and supported up to F4 when singing softly, but tends to sound tense when singing with more power.
Upper register: His falsetto register has shown improvement over the years in terms of stability, tone quality and pitch. Nonetheless he’s never showcased anything but a falsetto and is unable to sing with a properly supported and developed head voice.

音域
低：他的范围的下半部分是不经常使用，似乎是相当不发达。 在F3音调下有足够的支持，但是当他在E3下面唱歌时，他的声音变得通风而安静。
中：他的混音在放置方面相当明亮，在混音方面则更多地处于主导地位。 当他轻轻地唱歌时，他能够保持轻松和支持F4，但是在用更多的力量唱歌时往往会听起来很紧张。
高：他的假音音域存在稳定性，音质和音调方面多年来都有所改进。 尽管如此，他从来没有展示任何东西，只是一个假声，无法用适当的支持和发展的头声发声。

Agility
In the past, JB has mentioned quite a few R&B vocalists as his favorite singers and shows that he has a liking to adding vocal runs to many of his vocal performances. Not all his vocal runs are part of the songs he sings, so it is quite refreshing for him to have his own melodic ideas added to songs. Despite that, he tends to sing with a lot of airiness when performing vocal runs and due to not having developed a proper flow and rhythm by separating each individual note in his runs, he tends to rush the notes and thus becomes quite sloppy and pitchy. Most of his runs are not precise and sound a lot more like slides, since he’s unable to sing each tone by themselves clearly before putting them together in the form of a run. This can be heard in many of his vocal performances, including “Bad Girl, Good Girl“, “너를 위해“, “A“, “못잊은 거죠“, and “난 니가 좋아.”

敏捷
过去，JB已经提到不少R＆B歌手作为他最喜爱的歌手，并表示他很喜欢在他的许多歌唱表演中加入声乐。 不是他所有的声音都是他所唱的歌曲的一部分，所以对于他来说，把自己的旋律思想添加到歌曲中是相当令人耳目一新的。 尽管如此，他在进行声乐时倾向于唱出大量的空气，而且由于没有通过在跑步中分离每个单独的音符而形成适当的流动和节奏，他倾向于冲动音符，因此变得相当草率和松软。 他的大部分跑动都不够精确，听起来更像是幻灯片，因为在把它们以跑步的形式组合在一起之前，他无法自己清楚地唱出每一个音调。 这在他的许多声乐表演中都能听到，包括“坏女孩，好女孩”，“너를위해해”，“A”，“못잊은거죠”和“난니가좋아”。

Musicianship
Most of his musicianship tends to be quite subtle and he does have a tendency to add his own runs in songs quite often. However due to him having not developed to correct muscle memory and rhythmic approach to his runs, most of the time the delivery is quite pitchy and sloppy. Harmonically speaking JB is able to maintain his harmonies adequately well, even if he may not be able to support his voice as high as some harmonies may take him. Despite that he’s able to somewhat blend his voice to others, but may need to work on proper placement in order to keep his voice from sticking out in harmonies, as heard in “달빛.”