His mixed voice is relatively well developed in terms of mixing and has enough support for him to be able to sing above his first passaggio, B3, without tensing up his throat too much. The range from C4 to D4 can be sung with some support as he’s able to remain relaxed and not sing only from his throat. This can be heard in “바람인가요“, “듣는편지” and “안아줘.” As he ascends above D4, he tends to use a very light mixed voice which is mostly head dominant, which allows him to push his voice with less tension than if he were to use a heavier and louder chest-dominant mixed voice. Nonetheless, the lack of support above D4 causes him to sound shallow and thin the higher he sings, as his voice becomes too light and oftentimes he can sound somewhat flat when singing above his comfort range. He tends to sing with a soft approach, but tension is still present in his throat as he’s unable to connect his breath support to his vocal cords in order to maintain his throat opened. This can be heard in the D4’s in “Something“, Eb4’s in “눈, 코, 입“, E4’s in “If I Ain’t Got You“, “Someone Like You“, F4’s in “I NEED U“, “If You“, “Butterfly“, F#4’s in “Let Me Know“, “Love is not Over“, G4’s in “Bang Bang Bang“, “안아줘” “눈, 코, 입“, “이사” and G#4’s in “잡아줘.”

他的混音在中音方面相对比较发达，并且有足够的支持让他能够在他的第一个passaggio B3之上唱歌，而没有太多的紧张。从C4到D4的范围可以用一些支持来演唱，因为他能够保持放松，不能只从他的喉咙唱歌。这可以在“바람인가요”，“듣는편지”和“안아줘”中听到。当他在D4之上登上时，他倾向于使用一个非常轻微的混合声音，这个声音大多是主要的主导，这使得他可以用较小的张力比如果他要用更重更大声的胸部主导混合声音。尽管如此，在D4之上缺乏支持使得他唱得越高越好，他的声音变得太轻，当他在舒适范围之上唱歌的时候，他的声音通常会变得平坦。他倾向于用柔和的方式唱歌，但喉咙里仍然紧张，因为他无法将呼吸支持连接到他的声带，以保持他的喉咙开放。这可以在D4的“Something”，Eb4的“눈，코，입”，E4的“If I Is not Got You”，“有人喜欢你”，F4的“我需要U”，“If G4在“棒棒堂”，“안아줘”，“，코，입”，“이사”和G＃4的“你不知道”，“蝴蝶”，F＃在“잡아줘”中

His upper register mostly consists of a falsetto, with occasional moments where he’s shown the ability to use a head voice. Most of the time his vocal cords aren’t fully connected and he sings with excessive airiness, which causes him to sound thin and soft in his upper register, mostly associated with a falsetto voice. Although relaxed to an extent, a falsetto is not a register where true support can be present. Support would only be truly present if he were to use his head voice properly, however the few times V has shown a head voice have shown that he has issues with maintaining the connection of breath support with his vocal cords, where he instead pushes too much air against his vocal cords instead of allowing them to produce his head voice with their own strength and development. This results in a head voice that lacks control, by not being relaxed nor supported. This can be heard when contrasting his falsetto in “듣는편지“, “House of Cards“, “눈, 코, 입“, “Butterfly” and “Miss Right” with his head voice in “How Am I Supposed to Live Without You.” Interestingly enough he is the only member of the vocal line to be able to push his head voice all the way up to the sixth octave, higher than any of the tenors. This can be heard with the C6 in a high note battle during a fan meeting as well as the D6 in a more recent fanmeeting.

他的上位寄存器大多由一个假声组成，偶尔有一些时候他显示出使用头部声音的能力。大多数时候，他的声带没有完全连接，他唱的过度通风，这使得他的上位听起来很薄且柔软，大部分都与一个假声。虽然放松了一定程度，假声并不是真正的支持可以存在的登记册。只有当他正确地使用他的头部声音时，支持才是真正的存在，然而V几次发出头部声音表明他在保持呼吸支持与他的声带的连接方面存在问题，在那里他反而推得太多而不是让他们用自己的力量和发展来发出自己的声音。这导致了一个缺乏控制的头脑声音，不被放松也不被支持。当他在“我如何在没有你的情况下生活”时，用他的头部声音对比他的“듣는편지”，“纸牌屋”，“눈，코，입”，“蝴蝶”和“右小姐” 。“有趣的是，他是唯一一个能够把他的声音一直推到六度八度的声乐的唯一成员，比任何一个男高音都要高。在粉丝会议上的高调战斗中，C6可以听到，在最近的粉丝会议中，也可以听到D6的声音。

V的主要问题之一实际上是因为他唱歌的时候倾向于喉部的倾向，而没有把他的声带完全保持在他的范围内。 当你的声带没有完全连接，大量的空气可以通过，导致主唱的声音，呼吸和柔软。 在风格上，这可以在很多情况下工作，但是训练自己只能唱这种方式会导致歌手限制他们的声音发展。 如果声带在唱歌时不能完全聚集在一起，则主唱者将无法让声带变得更强壮，并且在声音，范围和肌肉力量方面发展。

Adding onto this, V usually favors lowering his larynx and opening the back of his throat a lot more than necessary when singing even within a relatively high range. Most of the time, V’s voice can be perceived as quite deep but actually when a vocalist pushes their larynx down, it alters the natural tone of their voice and causes their voice to sound much deeper than it really is. This is often a stylistic approach used in soul music, that can be turned on and off at will. However for V it’s either this approach, airy and overly opened in the back of throat while not fully relaxed, or aharsh growly approach. Only having two options can be limiting to a vocalist if they’re unable to grasp breath support fully yet. Since V tends to push the sound of his voice in the back of his throat a lot, the direction of air from his voice isn’t properly placed in his nasal cavities, which makes it harder for him to understand mask placement and project his voice. As such, he tends to sound slightly flat in tone production the higher he sings due to lacking a good connection of proper breath support, an open throat and a forward mask placed sound.

此外，V甚至在相对较高的范围内唱歌时，通常倾向于降低他的喉部，并且打开喉部的后部。大多数时候，V的声音可以被认为是相当深沉的，但实际上当一个主唱推倒喉头时，它改变了他们的声音的自然音调，并使他们的声音听起来比实际更深。这通常是灵魂音乐中使用的风格方法，可以随意打开和关闭。然而，对于V来说，要么是这种方法，在喉咙后面通气和过度打开，而不是完全放松，或者是一种苛刻的生长方式。只有两个选项可以限制为主唱，如果他们无法完全掌握呼吸支持。由于V往往会把喉咙里的声音推得很厉害，所以从他的声音来的空气方向不适合放在他的鼻腔里，这使他很难理解掩模的位置， 。因此，由于缺乏适当的呼吸支持，开放的喉咙和放置声音的正面面罩的良好连接，他唱得越高，他的音调听起来就会略微平坦。

When comparing V to the other vocalists of BTS, it is possible to hear that both he and Jungkook are the most relaxed out of all four of them. They have the least issues with tension and have a relatively decent range in which their voices are more or less supported, even though support may be shallow. However things can get tricky when comparing a tenor to a baritone, as being a baritone and having to sing in the same exact range as a tenor puts V at a clear disadvantage. Truthfully BTS’ music isn’t written for a high tenor range but it is still a challenging range for a baritone to be singing in. The passaggio is where the voice naturally lifts and the muscle coordination becomes slightly different, as sort of a bridge between a register and the next. The first passaggio is the transition from chest voice to mixed voice, while the second one is from mixed voice to head voice. A lyric tenor’s passaggi are usually around D4/Eb4 and G4/Ab4, while a lyric baritone’s passaggi are B3 and E4.

当把V与BTS的其他歌手比较时，可以听到他和Jungkook都是他们四个中最放松的。他们的紧张程度最少，而且他们的声音或多或少得到支持，虽然支持可能很浅，但他们的声音范围相对较小。然而，比较男高音和男中音时，事情会变得棘手，因为男高音和男高音必须在相同的确切范围内唱歌，因为男高音把V放在明显的劣势。实际上BTS的音乐并不是为高音范围写的，但对于男中音唱歌来说仍然是一个具有挑战性的范围。passaggio是声音自然升起和肌肉协调变得稍微不同的地方，一个寄存器和下一个。第一次通过是从胸声到混音的过渡，第二次是从混声到头声。抒情男高音通常在D4 / Eb4和G4 / Ab4附近，而抒情男中音通道字是B3和E4。

If V were to sing the same song as Jungkook for an example, but the key was changed to suit his voice as a baritone, he’d be able to handle singing above his first passaggio slightly better than Jungkook would. So the only true difference between them is that V has a slightly better grasp of breath support. However given the fact that V can’t simply change the key of every BTS song there is to suit his voice, he has to sing in the same exact range as the other three tenors. So naturally within the range that these songs are written in, Jungkook is the most qualified member to handle singing their repertoire. If V were to look into more solo singing opportunities, understanding his own voice type and embracing the true tone of his voice could help him develop his voice better as a baritone if he could sing in a range that’s natural to his voice. For future improvements, working on further developing connection between his vocal cords to be able to handle more dynamic changes, while developing his breath support could help V develop his vocal technique better overall. However for the time being, his current skill level is adequate for the type of music he sings.

如果V要和Jungkook一样唱一首歌，但为了适应自己的男声，他的声调会比Jungkook要好。所以他们之间唯一真正的区别就是V对呼吸的支持稍微好一些。但是，考虑到V不能简单地改变每首歌曲的关键是要适合自己的声音，所以他必须和其他三个唱头一样唱出来。因此，自然在这些歌曲写入的范围内，Jungkook是最有资格处理演唱曲目的成员。如果V想要更多的独唱演唱机会，理解他自己的声音类型并拥抱他的声音的真实基调，可以帮助他更好地发展他的声音，如果他可以在自然的声音范围内唱歌。为了将来的改进，进一步发展他的声带之间的联系，以便能够处理更多的动态变化，同时发展他的呼吸支持，可以帮助V更好地发展他的声乐技术整体。然而就目前而言，他目前的技术水平对于他所唱的那种音乐来说是足够的。

Musicianship
V is not much of a risk taker when it comes to his vocals and singing. He tends to sing with one specific style and doesn’t deviate much from that specific sound. He tends to choose either a harsh growly sound or a soft airy sound, which remains the same throughout most of his vocal performances. He doesn’t often try to add his own melodic changes to songs and instead chooses to sing songs as they’re originally written. When given the chance however, he does like to add his own twist to his vocal cords and is able to blend his voice with others and even himself when adding layers of harmonies to his vocal performances. One example would be the added harmonies present in his studio cover of “Someone Like You”, where he sang the song in the key he felt was most comfortable for his voice, adding his own octave unisons and harmonies throughout.

音乐修养
当谈到他的歌声和歌唱时，V并不是一个冒险者。 他倾向于用一种特定的风格唱歌，而不会偏离那个特定的声音。 他倾向于选择苛刻的声音或柔和的通风声音，在大部分的声乐表演中都保持不变。 他并不是经常试图将自己的旋律变化添加到歌曲中，而是选择歌唱原来的歌词。 但是，如果有机会的话，他还是喜欢把自己的声音加上自己的声带，并且能够在他的声乐表演中加入多层和声，将他的声音与他人甚至是他自己的声音融为一体。 其中一个例子是在他的“Someone Like You”的录音室封面中出现的和声，他用他觉得最适合自己的声音的音调唱出了这首歌，并在整个音乐中添加了他自己的八度单音和和声。

BTS’ Vocal Analysis: Jungkook
Vocal Range
G2 ~ Bb5 (3 Octaves, 1 note and 1 semitone)
Supported Range
Eb3/E3 ~ Eb4/E4
Voice Type
Tenor

Strengths/Achievements
Second strongest vocalist in BTS
The most relaxed singing technique out of all tenors in BTS
Pitch is relatively good when not doing vocal runs
Tends to favor falsetto over mixed voice, minimizing vocal strain
Shallow support is present to an extent in his singing
His lower range maintains sufficient connection down to Eb3
His middle voice maintains a relaxed approach up to Eb4/E4
Falsetto can be relaxed at times
Transitions into falsetto are relatively well done