Registers
Lower: Arguably the most developed lower register amongst tenors in K-pop, idol or not. With a very forward full tone and developed cord connection, he’s able to sing with a lot of ease even in the second octave.
Middle: One of the better mixed voices amongst tenors, Chen is able to consistently produce resonance without issues and brings support even as high as A4. Despite that, strain is still obvious and present above A4, where he sings with a high larynx and a tight throat.
Upper: Generally airy and disconnected, good placement can be present in his falsetto. However Chen has yet to produce a connected sound in his upper register, not singing either with a head voice nor with proper support in this register.
Lower: Arguably the most developed lower register amongst tenors in K-pop, idol or not. With a very forward full tone and developed cord connection, he’s able to sing with a lot of ease even in the second octave.
Middle: One of the better mixed voices amongst tenors, Chen is able to consistently produce resonance without issues and brings support even as high as A4. Despite that, strain is still obvious and present above A4, where he sings with a high larynx and a tight throat.
Upper: Generally airy and disconnected, good placement can be present in his falsetto. However Chen has yet to produce a connected sound in his upper register, not singing either with a head voice nor with proper support in this register.











