寄存器
较低的寄存器：较低的范围非常不稳定，该部分缺少扩展。 E3和下面的笔记会丢失音量，但不完全是连线。虽然这是一个优点，但在E3下面的注释中，音量的下降和投影的缺乏是相当明显的。
混合登记册：整体非常不发达。他的喉咙往往会在他的组合中射门很低，他经常会挤压他的喉咙，并通过他的鼻子投射他的混合注册表，通过他的大部分范围。但是，他并不倾向于在他舒适的混合音域之外尝试唱歌，在F4到G4之间结束，这并不会伤害他的声音。
上面的登记册：Breathy并没有被很好的控制，有时他能够顺利地转换成他的假话，但是他的假话很多时候都是非常投入和非常有吸引力，或者是非常鼻薄。由于当他在唱片中唱歌的时候，他的喉咙是如何受到挤压的，所以他控制他的假声往往变得不平衡。不过，他已经能够制作比其他寄存器更好的虚假记录，比如他的“爱死你”中的F＃5。

Agility
His voice is that of a light lyric tenor, which in theory should allow for easier vocal runs to come about. Taeyang draws a lot of influence from R&B music and hence often sings vocal runs, but they lack a lot in terms of note separation and pitch accuracy, often hitting flat or off key notes, or simply sliding through notes in a vocal runs without actually emphasizing each individual pitch in his vocal runs. This area is one that needs most work due to the style of music he chooses to sing, which requires vocal agility and ornamentations.

敏捷
他的声音是一个轻松的歌词，理论上应该允许轻松发声。 太阳音乐吸引了很多R＆B音乐的影响力，因此经常唱歌，但是在音符分离和音高准确性方面却缺乏很多，通常是打平或关键音符，或者只是滑过音符中的音符而没有真正强调 他的声音中的每个单独的音高都在运行。 由于他选择唱歌的风格，这个区域是需要最多工作的区域，这需要声乐敏捷性和装饰。

Musicianship
Taeyang most of the time will not change much of the melody of his songs, but will add energetic movements and runs through the stage by screaming and bringing the energy up. On ballads, however, he will at times try and add different vocal runs or change the melody, but it will be mostly flat or feel out of place. However so, most of the time he tends to sing without changing much or taking too many risks, which helps his music be delivered more effectively to his audience.

音乐修养
太阳大部分时间不会改变他的歌曲的旋律，但会增加精力充沛的动作，并通过尖叫和带来能量走上舞台。 然而，在民谣中，他有时会尝试添加不同的声音或改变旋律，但它会是平坦的或感觉不合适的。 但是，大多数时候他总是唱歌而不是变化太大，或者冒太多的风险，这样可以使他的音乐更有效地传达给观众。

Mamamoo

Mamamoo’s Vocal Analysis: Hwasa
Vocal Range
C#3 – E6 (3 Octaves, 1 note and 1 semitone)
Supported Range
A3 – C5
Voice Type
Soprano

Strengths/Achievements
Able to sing down to C#3
Can support A3 consistently
Is able to achieve resonance up to C5
Good sense of dynamics
Often sings with a lifted soft palate
_________
Weaknesses
Pushes her larynx down below A3
Extremely chesty mix
Notes in her supported range become strained when fatigued
Sings with a rather pushed resonance
Sings with a disconnected falsetto rather

优势/成就
能够唱歌到C＃3
可以一贯支持A3
C5能达到共振
良好的动态感
经常用一个提升的软腭唱歌
_________
弱点
把她的喉咙拉到A3以下
非常胸音的混合
疲劳时，她的支持范围内的笔记变得疲惫
唱一个相当推动共鸣
唱一个断断续续的假声

Registers
Lower register: Able to support A3. Notes below this are often done with a lowered larynx or a disconnected airy chest voice.
Mixed register: Extremely unbalanced and chesty with pushed resonance up to C5. Notes above this are often strained with a high larynx. Consistently able to keep an opened sound in her mix despite throatiness, no nasality is usually heard.
Upper register: An overly airy, disconnected falsetto, often used and controlled to an extent but lacking in development.

寄存器
降低寄存器：能够支持A3。 下面的注释通常是用较低的喉部或不连通的胸部声音来完成的。
混合登记册：非常不平衡和诚实，共振达到C5。 上面的注意事项通常是用高喉紧张。 尽管喉咙一直能保持开放的声音，但通常不会听到鼻音。
上位寄存器：过度通风，不连贯的假声，经常被使用和控制到一定程度，但缺乏发展。

Agility
Often attempts runs, but lacks the proper precision, accuracy, and note separation. Most of the time the direction of pitch in Hwasa’s runs and the idea behind them is more or less accurate, but the execution tends to come out either too unclear, where each individual note is not hit in its center, but instead she slides around the notes, such as in “Wait A Minute” and “Flying Into The Night Sky“, or at times her runs will just sound like a sloppy mush of notes together, such as in “The Way To Sampo“. When she performs slower runs, she is able to separate the notes with more clarity and rhythmic flow is more easily heard, such as in “Passion Flower“.

敏捷
通常尝试运行，但缺乏适当的精度，准确性和音符分离。 大多数情况下，Hwasa的跑步方向和他们背后的想法或多或少是准确的，但是执行往往不太清楚，每个单独的音符不在其中心，而是围绕着 例如在“等一分钟”和“飞入夜空”中，或者有时她的跑步听起来像是一团杂乱的音符，比如在“三宝路”中。 当她慢跑时，她能够更清晰地分开音符，更容易听到节奏流，比如在“西番莲”中。

Mamamoo’s Vocal Analysis: Solar
Vocal Range
E3 – G#6 (3 Octaves and 2 notes)
Supported Range
A3 – C#5
Voice Type
Soprano

Strengths/Achievements
Able to support down to A3
Resonance is very consistent up to C#5
Often sings with a lifted soft palate
Ear for harmony and pitch
Able to transition into falsetto without problems
_____________
Weaknesses
Mix is fairly unrelaxed, causing her to push from C5 up
Belts with a chesty mix
Notes above C#5 are achieved with a high larynx
Runs often lack pitch separation and accuracy
Notes below A3 become unsupported, often with a low larynx
Sings with an overly airy falsetto
Belts above D5/Eb5 sound fairly yelled due to pushing and air pressure