Jihyo的声音分析（更新）
人声范围：E3 - D6（2个八度，5个音符，1个半音）
支持范围：A3 - B4
声音类型：轻抒情女高音
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优势：
兔瓦斯最强的歌手
能一贯支持A3
混杂的声音有力量和强有力的联系
一直支持B4
能够使用连接的头部声音
沥青是干净的
忽略了JYP的半空半音技术
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弱点
降低了她的G＃3的喉头
她的混合大喊大叫
无法产生共振
缺乏开放性
鼻音是存在的
第五个八度高的喉咙和喉咙紧张
偶尔的鼻音
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较低音域：第二大的寄存器。能够持续生产受支持的A3，通常由于其鼻子性而未被投射。
混合音域：最发达的寄存器。支持B4没有紧张。有时在B4 / C5范围内伴随着令人sh目的质量。
上限音域：能够使用连接的F5以上的头部声音，超过此连接丢失并成为假声。

为什么找不到其他成员的。。

大棒

Big Bang’s Vocal Analysis: Daesung
Vocal Range
C3 ~ D6 (3 octaves and 1 note)
(Might be able to go lower)
Supported Range
E3 ~ F#4
E3 ~ F5 (including head voice)
Voice Type
Tenor

Strengths/Achievements
Consistent intonation, shown improvement in this area from debut
Strongest vocalist in Big Bang
No real nasality is present in his singing
Generally able to support his range up to F#4/G4
At times able to properly place his voice and achieve a resonant sound, on F#4 and below
Able to produce a fuller healthier head voice, rather than a falsetto
Most extensive range in Big Bang, particularly in falsetto
Able to support lower notes down to E3
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Weaknesses
Very underdeveloped lower range, one of the weakest amongst male K-pop vocalists
Inconsistency in support and keeping resonance in his supported range on F#4’s and G4’s
Notes above G4 are generally very throaty, lack support and sound very strained
Head voice above F5 tends to lose connection, become a pinched tense falsetto
Sometimes inconsistent with keeping his tongue not tense in his upper range
Uneven mixing ability, can’t completely control how much chest or head he has in his mix
Not shown huge improvement in many areas of his singing throughout the years
Unable to correctly use effects, such as distortion or breathiness, without turning them on and off at will
Jaw and larynx vibrato present in his singing

优势/成就
一致的语调，显示出这一领域从首演改善
大爆炸中最强的歌手
他的歌声中没有真正的鼻音
一般能够支持他的范围到F＃4 / G4
有时可以在F＃4及以下版本中正确放置自己的声音并获得共鸣声
能够产生更健康的头部声音，而不是假声
在大爆炸中最广泛的范围，特别是假声
能够支持较低的音符到E3
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弱点
非常不发达的低音范围，是男性K-pop歌手中最弱的一个
在F＃4和G4的支持范围内支持和保持共鸣不一致
G4上面的提示通常很嘶哑，缺乏支持，声音很紧张
F5以上的头部声音往往失去联系，变成一个捏的时态假声
有时候不保持他的舌头在他的上限范围内不紧张
不均匀的混合能力，不能完全控制他在混合中有多少胸部或头部
他多年来在唱歌的很多方面都没有显示出巨大的进步
无法正确使用效果，如失真或呼吸，而不会随意打开和关闭
下巴和喉咙颤音目前在他的唱歌

Registers
Lower register: his lower register is his weakest and most underdeveloped register. Notes around this register tend to be very quiet and breathy, particularly below E3, where his voice loses cord connection and projection. He’s unable to correctly control the pitch in this area but that’s because the notes that come out are barely audible and lack true tone. He’s only able to correctly support notes on E3’s and F3’s, or above.
Mixed register: Not a bad mixed register, however he has the tendency to bring his sound back instead of keeping it forward and supported even on his normally supported range. Notes such as F4 seem to always been fine for him, but F#4’s and G4’s can at times have tongue tension and have his throat be closed. Any note above G4 lacks any sort of true mixing, where he will just shout and create a very rocky strained throaty sound up until C5.
Upper register: His head voice, throughout the years, has improved the most. He’s been able to correctly connect his vocal cords to produce a clean and controlled head voice which is able to be relaxed and correctly run through melodies, as well as be accessed easily from his mixed register through very good switches. He is able to stay relaxed and supported up until F5. The times he goes above that, though, his voice becomes noticeably less present, more throaty and more squeaky in sound, becoming more of a falsetto. However so, still very extensive in range.

寄存器
较低的寄存器：他的较低的寄存器是他最弱，最不发达的寄存器。在这个寄存器周围的笔记往往是非常安静和呼吸，特别是在E3下，他的声音失去了电源连接和投影。他无法正确控制这方面的音调，但这是因为出来的音符几乎听不见，并且没有真正的音调。他只能正确支持E3和F3或更高版本的笔记。
混合寄存器：混合寄存器不是一个坏的混合寄存器，但是他倾向于把声音放回去，而不是保持前进，即使在正常支持的范围内也支持。像F4这样的笔记似乎对他来说一直都很好，但是F＃4和G4有时会产生舌头紧张，喉咙被关闭。 G4以上的任何音符都没有任何真正的混音，他只会在C5中喊出声音，创造一种非常摇滚的声音。
上册：他的头脑声音，多年来最为改善。他能够正确地连接他的声带，产生清晰和可控的头部声音，能够轻松地通过旋律正确运行，并且通过非常好的开关可以很容易地从他的混音寄存器访问。他能够保持放松和支持，直到F5。在这个时代之上，他的声音变得明显不那么现实，声音更加嘶哑，更加尖锐，变得更加虚伪。不过如此，范围还是非常广泛的。

Agility
As a lyric tenor, his voice isn’t too far from finding melismas and runs easy to produce. He does not have the tendency to add onto runs nor do vocal runs outside of his comfortable range. On the few times he’s shown to do runs, they tend to be accurate in terms of pitch separation, but he tends to lack in terms of agility, meaning, his runs tend to be medium-slow to slow in speed, but accurate in pitch. His head voice is the one which is able to most comfortable show itself in terms of vocal runs and can be quite well controlled.

敏捷
作为一个抒情男高音，他的声音不是很难找到melismas和容易生产。 他没有增加跑步的倾向，也没有在他舒适的范围之外进行声乐运动。 在很少的时候，他表现出来的跑步，他们倾向于准确的间距分离方面，但他往往缺乏灵活性，意思是说，他的跑步往往是中速慢速减速，但准确的音调。 他的头部声音是能够最舒适地在声音方面表现出来的，并且可以很好地控制。

Musicianship
Daesung does not tend to alter music very much when singing covers and will generally sing the way melodies are needed. At times he can play with covers and show that he’s able to alter a melody or the phrasing depending on the instrumentation of the song or the freedom he’s given to sing the song acapella. However so, alterations are still very minimal and it’s an art that needs to be developed further to add more creativity to his singing, since also at times he will alter melodies by adding high notes which are out of his range and accessed through tension and strain.

音乐修养
歌唱封面时，大成并不倾向于改变音乐，一般会唱出旋律的方式。 有时候，他可以用封面演奏，表明他可以根据歌曲的使用情况或者唱给歌曲acapella的自由来改变旋律或措辞。 然而，变化仍然非常小，这是一种艺术，需要进一步发展，以增加他的歌唱创造力，因为有时他会改变旋律，通过增加超出他的范围，并通过张力和张力访问高音。

Big Bang’s Vocal Analysis: Taeyang
Vocal Range
E2 ~ G5 (3 octaves, 1 note and 1 semitone)
Supported Range
E3 ~ E4/F4
Voice Type
Tenor

优势/成就
能够舒适地切换到假名注册
声音非常轻盈，舒适地坐在一个他主唱的八度范围内
有时他能够支持他的一些低等级到E3和D3
注意，直到E4和F4时常放松，不是很挤
能够主要用他的假话保持冷静
语调从登场以及假名登记都有所改善
较低的范围并不完全令人屏息
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弱点
鼻音是他歌唱中非常有意义的一部分，不必要的无意的不受控制的鼻音，他大部分时间通过他的鼻子直接歌唱
调音仍然是一个问题，可以多次变得平坦和间距
声音跑并不是很平滑或者通过分离每个音符产生，音高也不准确
倾向于提高他的喉咙，并在他的范围内压低喉咙
无法正确地支持他的声音，F4上面的注释往往是紧张和发怒
缩小支持范围
不发达的声乐寄存器
Falsetto往往是喘不过气来的
较低的范围往往是安静的，而不是一个探索良好的登记册
有时他的声音不稳定
没有颤音
呼吸支持不是很均匀的控制

Registers
Lower register: Very unstable lower range, with a lack of extension on that part. Notes around E3 and below lose volume but not exactly cord connection. Although that’s a plus, the volume drop and lack of projection is quite evident on notes below E3.
Mixed register: very underdeveloped overall. His larynx has the tendency to shoot up very low in his mix, he will often squeeze his throat and project his mixed register through his nose, straining through most of his range. However so, he does not tend to try and sing much outside of his comfortable mixed range, ending around F4 to G4, which does not hurt his voice as much.
Upper register: Breathy and not well controlled, at times he will be able to smoothly transition into his falsetto, but many times his falsetto will be either very unprojected and breathy, or just very nasal and thin. His control of his falsetto often becomes unbalanced in pitch due to how squeezed his throat is when singing in this register. However so, he’s been able to produce more well placed falsetto notes than in other registers, such as his F#5’s in “Love You To Death”.