回复：Faber & Faber版《春光乍泄》手记原文+翻译

Overcompensating
We've been joking lately about how many shots we're doing per scene. 'Our basic two?' I ask about the passport scene. 'No,' replies Wong, 'I want to make it more choppy - at least one cut per phrase.' We end up with fourteen different angles for five lines of dialogue. ' I think we've over compensated this time,' I say after the fourteenth shot.
过度补偿
我们一直在拿每场戏要拍多少个镜头来开玩笑。 “两个？”我在问护照那场戏。 “不，”王（家卫）回答说，“我想让它更加不连贯 - 至少一句话有一个切换。”我们最后为五句对白拍了14个不同的角度。第十四个镜头后，我说：“我想这次我们过度补偿了。”

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Star System
Leslie is back, but not for long enough to make the trip to the northernmost border where we planned to shoot the opening scenes. These days Wong is regretting his preference for working with stars. They consume most of our budget and our energies, and their comings and goings force us to change story lines and even dictate how much sleep we get. We have to accommodate their schedules... and pamper their moods. The one consolation is that we get the last word. At the end of the day, we're the ones who get to throw them on the (cutting-room) floor.
明星体制
Leslie回来了，但却不够时间让我们到北端的边境去拍计划中的开场片段。这段时间王（家卫）在后悔自己偏爱与明星合作。他们消耗我们最多的预算和精力，他们的来来往往迫使我们改变故事情节，甚至主宰我们能睡多久。我们必须迁就他们的日程安排...纵容他们的情绪。值得安慰的是，我们有最终的话语权。最后，是我们把他们扔在（剪接房的）地板。