张国荣吧 关注：1,557,910贴子：24,976,609
不感兴趣
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，可是我就喜欢他这样的性格啊。。。。。。不感兴趣
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下面也是F&F里没有的在《飞行手记》里。
【Horse race】
赛马
The races didn’t wash out like they looked like they would this morning, but the attendance is minimal and half the horses don’t even start. I succeed
in ‘stealing’ most of the shots we were hoping for. Leslie’s playful and content enough to try a scene-stealing gesture or two. We indulge him for a while, and then
just crop him out of frame when he gets too much.
赛马那场戏洗出来的效果跟早上预计的效果不尽相同，但是本来观众就少，半数的马根本没跑。我成功地“偷”到我们希望的大部分镜头。Leslie活泼顽皮，怡然自得，尝试了一两个抢镜头的动作。我们任由他玩了一阵，如果太过了只需把他的部分剪掉。
【Horse race】
赛马
The races didn’t wash out like they looked like they would this morning, but the attendance is minimal and half the horses don’t even start. I succeed
in ‘stealing’ most of the shots we were hoping for. Leslie’s playful and content enough to try a scene-stealing gesture or two. We indulge him for a while, and then
just crop him out of frame when he gets too much.
赛马那场戏洗出来的效果跟早上预计的效果不尽相同，但是本来观众就少，半数的马根本没跑。我成功地“偷”到我们希望的大部分镜头。Leslie活泼顽皮，怡然自得，尝试了一两个抢镜头的动作。我们任由他玩了一阵，如果太过了只需把他的部分剪掉。
回到F&F版：
Space
空间
We came to Argentina to 'defamiliarize' ourselves by moving away from the spaces - and hopefully the preoccupations - of the world we know so well. But we're out of our space and depth here. We don't even know the city well. So why do we still tend toward bars, barber shops, fast-food joints and trains? What happened to the inspirations from Manuel Puig's structures and Julio Cortazar's conceits? We're stuck with our own concerns and perceptions. If it's true that every artist basically has only one thing to say, then... we'd better do our best to say it more eloquently this time!
我们来到阿根廷是想通过远离熟悉的空间让自己“陌生化” – 也希望远离固有的成见。但是现在我们却迷失了（幽梦：“out of depth”的说法是有的，“out of our space”嘛，老杜又在造词，玩文字游戏了）。我们甚至不太了解这个城市。那么，为什么我们仍旧被酒吧，理发店，快餐店和火车吸引？ Manuel Puig的结构激发出的灵感怎么了？Julio Cortazar的妙喻激发出的灵感怎么了？我们无法摆脱自己的忧虑和观念。如果每一个艺术家真的只有一句话要说，那么...我们这次最好尽力把它说得更动人！
Space
空间
We came to Argentina to 'defamiliarize' ourselves by moving away from the spaces - and hopefully the preoccupations - of the world we know so well. But we're out of our space and depth here. We don't even know the city well. So why do we still tend toward bars, barber shops, fast-food joints and trains? What happened to the inspirations from Manuel Puig's structures and Julio Cortazar's conceits? We're stuck with our own concerns and perceptions. If it's true that every artist basically has only one thing to say, then... we'd better do our best to say it more eloquently this time!
我们来到阿根廷是想通过远离熟悉的空间让自己“陌生化” – 也希望远离固有的成见。但是现在我们却迷失了（幽梦：“out of depth”的说法是有的，“out of our space”嘛，老杜又在造词，玩文字游戏了）。我们甚至不太了解这个城市。那么，为什么我们仍旧被酒吧，理发店，快餐店和火车吸引？ Manuel Puig的结构激发出的灵感怎么了？Julio Cortazar的妙喻激发出的灵感怎么了？我们无法摆脱自己的忧虑和观念。如果每一个艺术家真的只有一句话要说，那么...我们这次最好尽力把它说得更动人！
