二周目前期夏树路线中,Natsuki第二首诗则缺少铃鼓,木琴故意奏错音,并添加了烘托恐怖氛围的钟表滴答声音效和弦乐噪音;后期Yuri的最后一首诗为该曲失真并添加了噪音的版本。同时BGM也会根据情况变调,卡顿或添加噪音,如Sayori上吊时的BGM名为Sayo-nara,是Doki Doki Literature Club!与Dreams of Love and Literature的变奏的版本。二周目,当场景从教室切换到走廊时,BGM会减弱部分高频与低频,听起来就像从远处(教室)传来的一样。 //关于bgm的猜测有很多,这里楼主说一下自己的推测: 就如吧中有发过关于钢琴代表莫妮卡的参与的理论推测,本人也有类似的想法,一周目中整体背景音乐祥和(qtww出来后那个不算),说明一切仍在正轨上,几个角色本身并没有发生崩坏,而以纱世里sd为分界线后的二周目,就时不时能听到崩坏的bgm。稍微文学一点的猜测,变调(一般伴随着变速)相当于角色的性格正在脱离正轨,噪音相当于不属于角色的特性被强加于她们,卡顿相当于角色性格产生了冲突,这点在优里自刀那一段尤其有体现,说明优里的性格完全走向崩坏,与之相衬的夏树虽然角色性格没有发生崩坏,但是每当出现故障时,往往短暂伴随bgm的变化——总而言之,bgm的变化对应角色发生崩坏的程度,二周目越到后面崩坏越多(其实一直挺多的),说明莫妮卡改变角色性格的力度正在变大,参与的程度越来越大。另外可以佐证这一观点的是:莫妮卡的角色特点乐器——钢琴基本上没发生过崩坏,因为莫妮卡自始至终人格都没发生变化
先挂一段话: "There's a little devil inside all of us." Beneath their manufactured perception - their artificial reality - is awrithing, twisted mess of dread. Loathing. Judgment. Elitism. Self-doubt.All thrashing to escape the feeble hold of their host, seeping through everylittle crevice they can find. Into their willpower, starving them of allmotivation and desire. Into their stomach, forcing them to drown their guilt incomfort food. Or into a newly-opened gash in their skin, hidden only by thesleeves of a cute new shirt.Such a deplorable, tangled mass is already present in every single one of them.That's why I choose not to blame myself for their actions. All I did was untie the knot. ———————————————————————————————————————— "我们每个人心中都有只小恶魔。" 在她们人工的感知下————她们人造的现实————只是一团扭曲的恐惧。厌恶。评判。优越感。自我怀疑。一切都挣扎着脱离宿主那无力的掌控、渗透入每个它们能找到的缝隙。进入她们的意志,消磨她们的一切动机和欲望。进入她们的胃,迫使她们将罪恶感淹没在食物的慰藉中。或是进入她们皮肤上新开的伤口,仅仅隐藏在可爱的新衬衫袖子下。这样的一团绝望和纠缠的肿块,已经出现在了她们每一个人的身上。这也是为什么,我选择不再因为她们的行为而责怪自己。 毕竟我所做的,只是打开了那个结
I hate this.I CAN'T DO ANYTHING. NOTHING.No matter how many times you play. It's all the same.It would be really, really easy to kill myself right now. But that would mean I don't get to talk to you anymore.All I want is for you to hate them. Why is that so hard? ———————————————————————————————————————— 我讨厌如此。我做不到任何事。任何事。无论你玩多少次,永远都是这样。我现在真的、真的很容易自杀。 但那样我就再也不能和你说话了。我只想让你讨厌她们。真的有这么难吗?