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https://style.disney.com/living/2017/08/04/celebrate-sisters-day-with-these-frozen-inspired-illustrations-by-ellen-porteus/
CELEBRATE SISTERS’ DAY WITH THESE FROZEN-INSPIRED ILLUSTRATIONS BY ELLEN PORTEUS
This Sisters’ Day, August 6, we’re channeling the ice-cool chill of Anna and Elsa with a range of original Frozen illustrations by Melbourne-based designer Ellen Porteus. Be sure to save your favorite illustrations and share this Sisters’ Day! Now is the time to break out the snuggie, pop on Frozen and belt out “Let It Go” with your sis or bestie!
How did you get your start as an illustrator and graphic artist?
I was a newly graduated graphic designer with a 9-to-5 job, but my heart was in illustration. I began experimenting, creating and sharing personal work, which led to a bit of attention online. Once I had some experience under my belt, I hastily quit my job, moved to Melbourne, set up a work-space at home and called myself a freelance illustrator. I was so determined to make it work, so I just kept at it until it did. That was two and a half years ago and I haven’t looked back.
Your artistic style is very unique. Where do you find your inspiration?
My inspiration comes from a clash of a lot of different pop culture aesthetic influences, namely from the 1990’s: music videos, comics and artists like Roy Lichtenstein and Yayoi Kusama. I’m inspired by cleverness and cheekiness and work that doesn’t take itself too seriously.
When did your love of Disney begin?
Disney films are synonymous with my childhood. As a kid, I loved Snow White and the Seven Dwarfs so much I could sing the whole orchestral score. My favorite toy was a light up sword I got at Disney on Ice’s Beauty and the Beast. It was super cool.
What is it about the relationship between Anna and Elsa that inspired you?
I was inspired by the strength of their relationship, and the idea of solidarity between sisters whether it’s between your family, your friends, or all of women!
What visual elements from the Frozen film informed your design?
I enjoyed picking apart recognizable elements from the film and re-purposing them in my compositions, such as Olaf’s carrot nose, Anna and Elsa’s shoes, trees from the landscape scenery, and so on. I love choosing color palettes, so going through the film and picking out colors was an important early part of the process.
Do you have a sister? Or a super-close girlfriend? What makes the relationship between ‘sisters’ special?
I have a sister who is two years older than me and in our case, it’s the uncanny ability that only sisters possess to communicate complex thoughts and ideas through nothing but a quick glance across the dinner table.
How do you plan to celebrate Sisters’ Day?
My sister and I live in different cities, so I think it’s a very good excuse for a long phone call!
What advice would you give to other artists looking to get their work out there?
Throw yourself into it, work on it until you have something that feels like it’s truly yours, share it relentlessly and be proud of it!
CELEBRATE SISTERS’ DAY WITH THESE FROZEN-INSPIRED ILLUSTRATIONS BY ELLEN PORTEUS
This Sisters’ Day, August 6, we’re channeling the ice-cool chill of Anna and Elsa with a range of original Frozen illustrations by Melbourne-based designer Ellen Porteus. Be sure to save your favorite illustrations and share this Sisters’ Day! Now is the time to break out the snuggie, pop on Frozen and belt out “Let It Go” with your sis or bestie!
How did you get your start as an illustrator and graphic artist?
I was a newly graduated graphic designer with a 9-to-5 job, but my heart was in illustration. I began experimenting, creating and sharing personal work, which led to a bit of attention online. Once I had some experience under my belt, I hastily quit my job, moved to Melbourne, set up a work-space at home and called myself a freelance illustrator. I was so determined to make it work, so I just kept at it until it did. That was two and a half years ago and I haven’t looked back.
Your artistic style is very unique. Where do you find your inspiration?
My inspiration comes from a clash of a lot of different pop culture aesthetic influences, namely from the 1990’s: music videos, comics and artists like Roy Lichtenstein and Yayoi Kusama. I’m inspired by cleverness and cheekiness and work that doesn’t take itself too seriously.
When did your love of Disney begin?
Disney films are synonymous with my childhood. As a kid, I loved Snow White and the Seven Dwarfs so much I could sing the whole orchestral score. My favorite toy was a light up sword I got at Disney on Ice’s Beauty and the Beast. It was super cool.
What is it about the relationship between Anna and Elsa that inspired you?
I was inspired by the strength of their relationship, and the idea of solidarity between sisters whether it’s between your family, your friends, or all of women!
What visual elements from the Frozen film informed your design?
I enjoyed picking apart recognizable elements from the film and re-purposing them in my compositions, such as Olaf’s carrot nose, Anna and Elsa’s shoes, trees from the landscape scenery, and so on. I love choosing color palettes, so going through the film and picking out colors was an important early part of the process.
Do you have a sister? Or a super-close girlfriend? What makes the relationship between ‘sisters’ special?
I have a sister who is two years older than me and in our case, it’s the uncanny ability that only sisters possess to communicate complex thoughts and ideas through nothing but a quick glance across the dinner table.
How do you plan to celebrate Sisters’ Day?
My sister and I live in different cities, so I think it’s a very good excuse for a long phone call!
What advice would you give to other artists looking to get their work out there?
Throw yourself into it, work on it until you have something that feels like it’s truly yours, share it relentlessly and be proud of it!
IP属地:江西
121楼2017-08-07 11:49
121楼2017-08-07 11:49收起回复
Frozen Heads to Broadway in February—Here Are Some Changes From the Movie to Expect
BY RYAN MCPHEE
New songs for Elsa and a group of “hidden folk” are among the additions created for the stage adaptation.
The team behind Disney’s stage adaptation of Frozen have repeatedly offered surprises, ensuring that the Broadway musical will deliver deeper explorations of characters and plot points while still celebrating the beloved songs and moments of the 2013 animated blockbuster.
The musical will premiere August 17 at the Denver Center for the Performing Arts, and a representative forDisney Theatrical Productions has confirmed that performances are slated to begin on Broadway at the St. James Theatre February 22, 2018, prior to a March opening.
Read: HOW DISNEY IS TRANSFORMING FROZEN INTO AN ALL-NEW MUSICAL FOR BROADWAY
While audiences wait to see Arendelle on stage, The New York Times has revealed a series of changes theatregoers can expect to see and hear once the lights go down.
While discussing the balance between the familiar and the unexpected, director Michael Grandage told the Times, “You want to do everything they know the piece to be, and go much deeper. It is incumbent upon us to come up with surprises.”
The show is set to open with a group of creatures referred to as “hidden folk,” similar to the Scandinavian folklore of “huldufólk” but with more animalistic qualities. The tailed figures replace the trolls seen in the animated feature. Gone with the trolls are the monstrous snowman Marshmallow and the wolves that chase Anna, Kristoff, and Sven.
Read: FROZEN STARS DISCUSS WHY BEING 'QUIRKY' MAKES THEM PERFECT DISNEY ROYALS
Also new to the title are roughly a dozen new songs penned from the film’s Oscar-winning husband-and-wife pair, Kristen Anderson-Lopez and Robert Lopez. Joining favorites such as “Let It Go” and “Love Is an Open Door” are numbers including “Dangerous to Dream” and a “flashy” Act II anthem—both for Elsa (played on stage by Caissie Levy).
Patti Murin, Michael Grandage, and Caissie Levy Jenny Anderson
BY RYAN MCPHEE
New songs for Elsa and a group of “hidden folk” are among the additions created for the stage adaptation.
The team behind Disney’s stage adaptation of Frozen have repeatedly offered surprises, ensuring that the Broadway musical will deliver deeper explorations of characters and plot points while still celebrating the beloved songs and moments of the 2013 animated blockbuster.
The musical will premiere August 17 at the Denver Center for the Performing Arts, and a representative forDisney Theatrical Productions has confirmed that performances are slated to begin on Broadway at the St. James Theatre February 22, 2018, prior to a March opening.
Read: HOW DISNEY IS TRANSFORMING FROZEN INTO AN ALL-NEW MUSICAL FOR BROADWAY
While audiences wait to see Arendelle on stage, The New York Times has revealed a series of changes theatregoers can expect to see and hear once the lights go down.
While discussing the balance between the familiar and the unexpected, director Michael Grandage told the Times, “You want to do everything they know the piece to be, and go much deeper. It is incumbent upon us to come up with surprises.”
The show is set to open with a group of creatures referred to as “hidden folk,” similar to the Scandinavian folklore of “huldufólk” but with more animalistic qualities. The tailed figures replace the trolls seen in the animated feature. Gone with the trolls are the monstrous snowman Marshmallow and the wolves that chase Anna, Kristoff, and Sven.
Read: FROZEN STARS DISCUSS WHY BEING 'QUIRKY' MAKES THEM PERFECT DISNEY ROYALS
Also new to the title are roughly a dozen new songs penned from the film’s Oscar-winning husband-and-wife pair, Kristen Anderson-Lopez and Robert Lopez. Joining favorites such as “Let It Go” and “Love Is an Open Door” are numbers including “Dangerous to Dream” and a “flashy” Act II anthem—both for Elsa (played on stage by Caissie Levy).
Patti Murin, Michael Grandage, and Caissie Levy Jenny Anderson
IP属地:江西128楼2017-08-10 17:17
128楼2017-08-10 17:17收起回复
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