回复：盘点：豆瓣电影上那些评分较高的冷门佳片

佐杜洛夫斯基私人化的电影，以自身的成长和父亲的救赎，构成对生命及童年的探索。对年少而言，年老尚不存在；对年老而言，年少也已成为泡影。在时间的尽头，当所有物质回归到原点，年少和年老仅仅成为一段记忆。导演还抨击了政治偶像取代神的趁虚而入，在群众盲目的狂热中暴起暴落。

何时是读书天 いつか読书する日 (2005)

独身的大场美奈子（田中裕子饰）在超市做收银员，早上兼一份送奶工作，晚上在家中品味堆满的书籍。美奈子每天早上都会派牛奶到敏子和中学同级同学高梨槐多（岸部一徳饰）的家。一天，槐多的妻子容子偶然知道了每天早上给他们家送奶的是美奈子，并知道了丈夫过去的事情，她约见了美奈子托付后事。
　　槐多和美奈子是中学时代的恋人，那时候他们经常在书店约会。那时候美奈子的妈妈和槐多的爸爸相好，一次意外双双死去。他们拿因父母的事中断了关系，后来槐多结婚了，美奈子独自一人。30多年过去了，虽然两个人都生活在同一个城市里，但是没有任何往来。容子去世后，槐多与美奈子得以结合，但是…

《何日读书天》（又名《牛奶女工》）这部已经上映了七年的日本电影，其温开水一般暧昧的态度，让人捉摸不透。所以有人谈起了爱情，有人说起了孤寂。对我来说，它只关乎阅读，无关其他。

当风吹起的时候 When the Wind Blows (1986)

大战爆发之前，一位老人拿着政府发的“备战小册子”回到家中，妻子一如往日的给他准备了美味的食物和奶茶。很快广播中播放战争即将开始的消息，于是老人按照小册子中的介绍开始准备搭建防空袭遮蔽帐篷......
　　战争终于开始了，两位老人在这次空袭中幸免，他们非常乐观的等待着国家紧急救援组织的到来。他们的乐观精神带给了他们美好的故事结局了吗？国家紧急援救机构真的来救他们了吗？

越乐观越悲伤

没有无关的旁观者 There Are No Innocent Bystanders (2011)

They’re the band that everybody has an opinion on, the band that spawned a thousand copyists but combusted too soon to achieve their true potential. In 2004, two years after releasing their first single, The Libertines split. Then in 2010, Carl Barat, Pete Doherty, John Hassall and Gary Powell reunited to play Reading and Leeds, the biggest shows of their career.
　　Frequently described as the UK’s most important music photographer and photojournalist, Roger Sargent was responsible for shooting many iconic photos of this acclaimed British band. His debut feature THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is an all-access music documentary that spans the period of time from the announcement of this reunion to the weekend of Reading and Leeds. With unrivalled access to their inner sanctum, Sargent’s aim was to look beyond tabloid headlines and give an intimate insight into a band reforming and friendships repaired. Rather than taking a strictly linear approach, it’s the spirit that Sargent wanted to capture: stories and moments retold and relived by the band themselves. This includes whimsical, romantic snapshots of the bands history told by band members in locations which resonate with them: for example, a day with Pete in Paris, and Carl giving a guided tour of the “Libertines East End” including a visit to Bethnal Green’s Libertine Alley which is graffiti-scrawled with song lyrics, and Brick Lane’s famous bagel shop. Profiling each band member individually and collectively – something which has never been done before – each of the boys have the chance to put their story in their way. Including access to rehearsals, warm-up gigs at The Forum, and the Reading/Leeds weekend, the film also makes use of Sargent’s unparalleled archive of photos, and altogether it’s as much about the band rediscovering The Libertines as everyone else.
　　Thanks to Roger’s long history with the band, The Libertines goes behind the tabloid headlines to give viewers unrivalled access to the love, laughter, passion and power of a band which united and inspired a generation.”
　　Following a brief sojourn at Melody Maker and ID Magazine, Roger Sargent went to NME, surviving trauma and trends for over a decade. Having worked for Rolling Stone, Mojo, Daily Telegraph, and The Guardian amongst others, he has most recently won critical and popular acclaim for two major exhibitions, The Libertines – Boys In The Band and Future Legends. An exhibition of his photography will run in Spitalfields Market for the duration of East End Film Festival. THE LIBERTINES – THERE ARE NO INNOCENT BYSTANDERS is his debut feature.

阿曼尼亚：欢迎来到德国 Almanya - Willkommen in Deutschland (2011)

对于经济体系而言，移民只是劳动力、经济生产的一环，而最终输入的是人、家庭、关系、文化。全球化面临的最大挑战也是这样的问题，人不是简单的劳动力或者工作机器。

脸红的夏日 El último verano de la Boyita (2009)