╰★╮SPY|▍0817推特|▍文大的心声

ERIC: A dramatic reconciliation...? We all came together and pushed ourselves to work hard after Miss Myeongwol left the country, for the three reasons that the drama had to go on, it was like a promise with our viewers, and there was the reality of our monetary contracts. But now, I think no one will feel very comfortable knowing that we will have to go back to shooting the drama like nothing happened. I've never talked with any newspaper about my views, but I saw a lot of articles writing about them. Actually, in large incidents like this, I believe that, rather than reveal my views on the matter, it is better to let the public judge the facts according to their own values, and also that there is no one purely good or purely evil. However, to talk of my thoughts on the most misunderstood facts in this incident: Was the script rushed? No. As we added a new writer we had to edit one or two scenes due to the story's continuity with the Singapore scenes, so we got new edited versions of the script for those scenes. But we always had the script handed to us in advance every week, and we could even read it faster than that if we wanted to at our team's online cafe. Was there any discord with the director because of his abusive language? We always ask our director to talk to us comfortably like we are his juniors, but he always uses the polite form when addressing us.

Did Myeongwol go through difficult times because the shootings lasted all night? That is true. She had a hard time near the beginning, and once she sent a photomail text message saying she was going to be late because she was getting an injection for fatigue. The public statement written by the staff? That is true. I believe all members of the staff and the actors who were on the scene yesterday and the day before checked the facts and signed the document. I think they did not reveal the actual statement with the real names on it in the article because it was to be read by the public. It would have been better if we could have taken care of the problem and wrapped it up between us, but it's come out into the open, and now I believe it is up to the public to judge. There is no need to point fingers, but any misunderstandings must be cleared, and that part was a misunderstanding on the part of the staff and writer.

I hope my words serve as sufficient evidence, as I was on the scene every day. I also feel sorry about the conditions we had to shoot the drama in; all the other staff members and all the other actors will probably feel sorry for that also. In my opinion, we must first decide for whom we wish to improve the conditions for. Is it for "me," who has already received the due wages for the work being done, or is it for the "staff," who work harder for a longer time than us actors do for less pay? Or perhaps, is it for the future of our "juniors?" Many of you say that dramas should be filmed in advance, before it starts airing, but that is not easy because of the costs of production and drama time slots. There are many dramas which are filmed in advance and yet experience losses because they cannot get a time slot. I also want my future juniors to film their dramas in better conditions, but, in my opinion, more than my future "juniors" who I haven't met yet, the staff members who I work closely with every day are more important.

I know that this is not an easy problem to fix unless I become a high-level executive in broadcasting, found a production company and produce dramas with the knowledge that I will be incurring losses, or else someone good enough to do it himself appears. So as a powerless actor I don't have many options I can take; the only thing I can do is show some appreciation for those working with me for less compensation by comforting them at the scene, giving them presents such as team uniforms, or treating them to good food, etc. It's hard to say I've filmed a lot of dramas in my career, but I can say for sure that the situation I am in now is not the worst of them all. Even more, after listening to the statements of Mr. Lee Sunjae and Mr. Lee Dukhwa, who are greater actors than I am and went through even more difficult times, I feel I am too weak an existence to dare shout out for a revolution. I hope those who are higher up the ladder lend their ears to the shouts of those at the actual scenes. Forgiving someone for their wrongs is a very faithful thing to do, but if you do not set the wrong right with courage, or if you ignore the voices coming from those who still bleed from that wrong, that is not "forgiveness," but mere "acceptance."

以上转自Shinhwa.Biz推特。
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如果亲们愿意等的话，我可以稍微翻译一下。

第二段
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彻夜拍摄导致明月经历困难时期？这是事实。她从开拍起就很辛苦，有一次她发来视频短讯告知自己会迟到，因为她正在接受营养剂注射。剧组工作人员团体发出的声名书？这也是事实。我相信前天与昨天所有在场的工作人员和演员都有检查并签署声名书。我想他们并没有在声名书上附予真实姓名是因为这是要被公布于大众的文件。如果我们能够私下将问题解决那会更好，事至于此，我相信这只能让大众来判断。没有必要指责任何一方，但误会必须被解开，这部分是针对有关工作人员和作家的误会。


既然有亲已翻，那我就不继续了。只希望文大能好好的。剧也能够平安结束。

恩 没关系。

不客气。是的，我想就像亲说的这样，现在大家最期望的就是看见剧顺利完结。这样才不会辜负剧组和演员们不辞辛劳的汗水。

文大是一个什么样的人相信大家心知肚明，这我就不多说了。
这篇文章是把他这段时间在剧组的所见所闻，非常客观地表达出来而已。
在写这篇推特时，我相信他也几经斟酌。他并不会盲目地袒护任何一方，更不会冲动地指责任何一方。
最后那一段确实有引起些许争议，但是就像文大说的，事至于此，这一切都只能留给大众去判断。所以不管在大众心里谁是谁非，这也只是大众的意见。而任何人都无法去改变这些发生过的事实。
现在我个人最期盼的就是剧顺利结束，也希望剧组和演员们在未来的发展更好。当然，我更加期待神话明年华丽的归来。这事对大家应该非常刻骨铭心，就让是非留在过去吧。