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（一些《lucky lu》欧美影评里对张震的评价）
"张震以一场充满同理心的精彩演出为影片定下基调，……
我们之所以能在“卢”这个角色身上读出这么多东西，很大程度上是因为张震精彩而克制的表演——这位台湾演员曾主演过杨德昌、李安、侯孝贤和王家卫的多部重要作品。以他的资历来看，他本可以把《Lucky Lu》当作一部为大明星争取独立电影圈声望的“展示平台”，但他完全没有卖弄表演，而是深刻地投入于这个角色的“人性”——一个几乎不给自己片刻人性的喘息，更别说去思考什么“幸运”的人。"
-- 《综艺Variety》
张震在《幸运的卢》中呈现出一场克制而深刻的表演，堪称“隐忍的教科书”。没有歇斯底里，也没有戏剧化的情绪爆发，他饰演的卢这个人物，被牺牲掏空，却依然未曾屈服。一次手指微颤、一抹咬紧的下颚、或眼神中短暂闪现的痛楚，比任何一句对白都更能揭示他的过去。在失去接踵而至的局面下，张震的“无声尊严”本身就成了一种反抗。
—GAZETTELY（Zhi Ho）
对于影迷来说，看到张震饰演这位历经沧桑的父亲，尤其令人动容——毕竟他几乎是在王家卫、杨德昌、侯孝贤的电影中成长起来的。但即便不了解这段影史，也完全不影响观众感受到他在片中饰演的卢有多么出色：一个拥有不可动摇的尊严，却时常做出令人质疑决定的男人，他的脆弱早在家人注意到“他现在比在中国时瘦了很多”之前，就已悄然显露。
即使卢做出了极端的决定——通常是在满是糟糕选项的境地下——张震仍然让这个人物无法被简单否定。而导演崔瑛哲（Choi）也确保，在这个看似冷漠无情的世界中，依然处处流动着同情与怜悯。也正是这种处理，让人仿佛能感受到整部电影的重量都压在主角肩头——却依然拥有强烈的沉浸感，这一点令人印象极深。
片名《幸运的卢》（Lucky Lu）或许带有一丝讽刺意味，但这部电影本身，却真诚得令人屏息。
—The Moveable Fest（STEPHEN SAITO）
「张震极具吸引力，他以令人屏息的张力，承载着无声的动荡与无尽的阻碍。富有同理心，情感层次丰富，深深打动人心。」
—— @cinemaspodcast
「张震的表演是这部电影痛楚的核心。他赋予角色卢（Lu）多重的脆弱、疲惫与坚韧，往往无需一句台词。」
—@nextbestpicture
「《幸運的盧》由亞裔美籍導演勞埃德·李·崔執導，帶領我們殘酷地深入探索紐約的亞裔社區。片中隱含地致敬了維托里奧·德·西卡的《偷自行車的人》。影片因台灣知名男演員張震出色的表演而令人印象深刻，張震的表演將全片牢牢撐起。」
---ASIAN MOVIE PULSE.COM（Jean-Marc Thérouanne）
"张震以一场充满同理心的精彩演出为影片定下基调，……
我们之所以能在“卢”这个角色身上读出这么多东西，很大程度上是因为张震精彩而克制的表演——这位台湾演员曾主演过杨德昌、李安、侯孝贤和王家卫的多部重要作品。以他的资历来看，他本可以把《Lucky Lu》当作一部为大明星争取独立电影圈声望的“展示平台”，但他完全没有卖弄表演，而是深刻地投入于这个角色的“人性”——一个几乎不给自己片刻人性的喘息，更别说去思考什么“幸运”的人。"
-- 《综艺Variety》
张震在《幸运的卢》中呈现出一场克制而深刻的表演，堪称“隐忍的教科书”。没有歇斯底里，也没有戏剧化的情绪爆发，他饰演的卢这个人物，被牺牲掏空，却依然未曾屈服。一次手指微颤、一抹咬紧的下颚、或眼神中短暂闪现的痛楚，比任何一句对白都更能揭示他的过去。在失去接踵而至的局面下，张震的“无声尊严”本身就成了一种反抗。
—GAZETTELY（Zhi Ho）
对于影迷来说，看到张震饰演这位历经沧桑的父亲，尤其令人动容——毕竟他几乎是在王家卫、杨德昌、侯孝贤的电影中成长起来的。但即便不了解这段影史，也完全不影响观众感受到他在片中饰演的卢有多么出色：一个拥有不可动摇的尊严，却时常做出令人质疑决定的男人，他的脆弱早在家人注意到“他现在比在中国时瘦了很多”之前，就已悄然显露。
即使卢做出了极端的决定——通常是在满是糟糕选项的境地下——张震仍然让这个人物无法被简单否定。而导演崔瑛哲（Choi）也确保，在这个看似冷漠无情的世界中，依然处处流动着同情与怜悯。也正是这种处理，让人仿佛能感受到整部电影的重量都压在主角肩头——却依然拥有强烈的沉浸感，这一点令人印象极深。
片名《幸运的卢》（Lucky Lu）或许带有一丝讽刺意味，但这部电影本身，却真诚得令人屏息。
—The Moveable Fest（STEPHEN SAITO）
「张震极具吸引力，他以令人屏息的张力，承载着无声的动荡与无尽的阻碍。富有同理心，情感层次丰富，深深打动人心。」
—— @cinemaspodcast
「张震的表演是这部电影痛楚的核心。他赋予角色卢（Lu）多重的脆弱、疲惫与坚韧，往往无需一句台词。」
—@nextbestpicture
「《幸運的盧》由亞裔美籍導演勞埃德·李·崔執導，帶領我們殘酷地深入探索紐約的亞裔社區。片中隱含地致敬了維托里奧·德·西卡的《偷自行車的人》。影片因台灣知名男演員張震出色的表演而令人印象深刻，張震的表演將全片牢牢撐起。」
---ASIAN MOVIE PULSE.COM（Jean-Marc Thérouanne）
补个英文版
« Anchored by a magnificently empathetic turn from Chang Chen, ……
We can read all this into Lu because of the wonderfully restrained turn from Chang Chen, the Taiwanese star of major films from Edward Yang, Ang Lee, Hou Hsiao-Hsien and Wong Kar-Wai. Given his pedigree, he might have treated “Lucky Lu” as the kind of vehicle that is built to give a big star some indie cred, but there is no showboating here, just a profound investment in the humanity of a character who barely allows himself a moment to be human, let alone to ponder his luck. »
— 《綜藝Variety》
« Chang Chen anchors Lucky Lu with a master class in restraint. Without shouting or melodrama, he conveys a man hollowed by sacrifice yet unbowed. A slight tremor in his hands, a tightened jaw or the flash of pain in his eyes reveal more about Lu’s past than any line of dialogue. In the face of mounting losses, Chen’s silent dignity becomes an act of defiance. »
—GAZETTELY（Zhi Ho）
« It may be especially moving for cinephiles to see Chang Chen in the lead as the world-weary father after practically growing up on screen in the films of Wong Kar-Wai, Edward Yang and Hou Hsiao-Hsien, but that history isn’t necessary to feel he’s extraordinary as Lu, a man of unassailable dignity but questionable choices whose frailties are exposed well before his family notes that he’s far skinnier now than when they last saw him in China. When Lu is capable of terrible decisions — usually amongst a see of bad options, Chen makes him still impossible to dismiss and Choi ensures that there’s plenty of compassion to go around in a place where it seems like there’s none, perhaps the most impressive skill on display in a film where it feels like the weight of the world is on its lead’s shoulders with its level of immersion. There may be a bit of irony in the title “Lucky Lu,” but it’s sincerely breathtaking. »
—The Moveable Fest（STEPHEN SAITO）
« Anchored by a magnificently empathetic turn from Chang Chen, ……
We can read all this into Lu because of the wonderfully restrained turn from Chang Chen, the Taiwanese star of major films from Edward Yang, Ang Lee, Hou Hsiao-Hsien and Wong Kar-Wai. Given his pedigree, he might have treated “Lucky Lu” as the kind of vehicle that is built to give a big star some indie cred, but there is no showboating here, just a profound investment in the humanity of a character who barely allows himself a moment to be human, let alone to ponder his luck. »
— 《綜藝Variety》
« Chang Chen anchors Lucky Lu with a master class in restraint. Without shouting or melodrama, he conveys a man hollowed by sacrifice yet unbowed. A slight tremor in his hands, a tightened jaw or the flash of pain in his eyes reveal more about Lu’s past than any line of dialogue. In the face of mounting losses, Chen’s silent dignity becomes an act of defiance. »
—GAZETTELY（Zhi Ho）
« It may be especially moving for cinephiles to see Chang Chen in the lead as the world-weary father after practically growing up on screen in the films of Wong Kar-Wai, Edward Yang and Hou Hsiao-Hsien, but that history isn’t necessary to feel he’s extraordinary as Lu, a man of unassailable dignity but questionable choices whose frailties are exposed well before his family notes that he’s far skinnier now than when they last saw him in China. When Lu is capable of terrible decisions — usually amongst a see of bad options, Chen makes him still impossible to dismiss and Choi ensures that there’s plenty of compassion to go around in a place where it seems like there’s none, perhaps the most impressive skill on display in a film where it feels like the weight of the world is on its lead’s shoulders with its level of immersion. There may be a bit of irony in the title “Lucky Lu,” but it’s sincerely breathtaking. »
—The Moveable Fest（STEPHEN SAITO）
« Chang Chen is magnetic, carrying the weight of quiet turmoil and endless obstacles with gripping intensity. Empathetic, emotionally layered, and deeply moving. »
—— @cinemaspodcast
« Chen's performance is the film's aching core.
He brings layers of vulnerability, weariness, and resilience to Lu, often without a word. »
—@nextbestpicture
«Lucky Lu» by Lloyd Lee Choi, an Asian-American director invites us to a cruel dive into the Asian community in New York. References to the «bicycle thief» of Vittorio de Sica are implicit. The film is held at arm’s length by the remarkable interpretation of the first male role of Chang Chen, a leading Taiwanese actor.
---ASIAN MOVIE PULSE.COM（Jean-Marc Thérouanne）
—— @cinemaspodcast
« Chen's performance is the film's aching core.
He brings layers of vulnerability, weariness, and resilience to Lu, often without a word. »
—@nextbestpicture
«Lucky Lu» by Lloyd Lee Choi, an Asian-American director invites us to a cruel dive into the Asian community in New York. References to the «bicycle thief» of Vittorio de Sica are implicit. The film is held at arm’s length by the remarkable interpretation of the first male role of Chang Chen, a leading Taiwanese actor.
---ASIAN MOVIE PULSE.COM（Jean-Marc Thérouanne）
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张震为影片注入了心脏般的力量，他赋予了陆一种不曾堕入自怜的尊严。他把慌乱藏在务实的举动背后，而当他一步步陷入道德妥协时，观众也能理解其中的算计与权衡。与他相对的，是饰演丫丫的魏，她的表演堪称惊喜。她选择毫无头绪地跟随父亲同行，却不知父亲已将自己卷入何种困境；她以一种自然的纯净，将布鲁诺·里奇式的稚气表现得真切无华——童年的小小插曲，让陆的绝望更为尖锐，因为那一切都是为了她。父女的对手戏，正是《Lucky Lu》最富人性温度的片段。
--- The Asia Cut
摄影机始终贴近街道，随着他穿过昏暗的小巷与街道而晃动。张震的表演张力在这里得到充分展现，这个角色与他在 Netflix 剧集《苏里南》里喧嚣张扬的陈镇完全不同。影片中多次特写中，他脸上的疲惫触手可及：当计划 A、B、C 全部失败，依然凑不齐房租时，那股逐渐累积的绝望感全都写在他脸上。即便在静止的瞬间，他的表情也极富表现力。
张震的表演尤其在与陆的妻子思雨（陈法拉 饰）和女儿丫丫（魏嘉宝 饰）对戏时熠熠生辉。丫丫坚持要大家称呼她的新英文名字——Queenie。虽然剧情主线是陆努力避免一家人到城里第一天就被赶出公寓，但他与丫丫的父女关系才是影片真正的亮点。丫丫直率，有时甚至带点孩子特有的刻薄，但她的好奇心与情感智慧却惹人喜爱。陆始终是个梦想家，总许下超出自己能力的承诺，而丫丫能敏锐察觉父亲的不对劲（观众则通过魏的精彩表演更早捕捉到这一点）。
影片的剧本一贯扎实——人物真实可信，翻译也非常出色——而结尾凭借一个极富深意的终极画面圆满收束。我原本对《Lucky Lu》毫无预期，但它最终成为本届电影节对我来说最令人愉快的惊喜之一。
--- Shifter Magazine
--- The Asia Cut
摄影机始终贴近街道，随着他穿过昏暗的小巷与街道而晃动。张震的表演张力在这里得到充分展现，这个角色与他在 Netflix 剧集《苏里南》里喧嚣张扬的陈镇完全不同。影片中多次特写中，他脸上的疲惫触手可及：当计划 A、B、C 全部失败，依然凑不齐房租时，那股逐渐累积的绝望感全都写在他脸上。即便在静止的瞬间，他的表情也极富表现力。
张震的表演尤其在与陆的妻子思雨（陈法拉 饰）和女儿丫丫（魏嘉宝 饰）对戏时熠熠生辉。丫丫坚持要大家称呼她的新英文名字——Queenie。虽然剧情主线是陆努力避免一家人到城里第一天就被赶出公寓，但他与丫丫的父女关系才是影片真正的亮点。丫丫直率，有时甚至带点孩子特有的刻薄，但她的好奇心与情感智慧却惹人喜爱。陆始终是个梦想家，总许下超出自己能力的承诺，而丫丫能敏锐察觉父亲的不对劲（观众则通过魏的精彩表演更早捕捉到这一点）。
影片的剧本一贯扎实——人物真实可信，翻译也非常出色——而结尾凭借一个极富深意的终极画面圆满收束。我原本对《Lucky Lu》毫无预期，但它最终成为本届电影节对我来说最令人愉快的惊喜之一。
--- Shifter Magazine
「張震飾演的陸，是今年最出色的表演之一。他以自然又壓抑的方式，展現了一個人為了家庭、再到為了自己而強撐下去的巨大壓力。這種真切幾乎讓人難以直視，尤其是在他被貧困逼迫做出那些道德上艱難抉擇的時刻。」
Chang Chen’s central performance as Lu is one of the best this year, a sensational display of naturalistic stress he forces himself to push through for his family’s survival first, and then his own. He anchors the film in a manner that appears so genuine it’s hard to watch at times, especially as he’s forced to make tough moral choices that poverty can thrust upon us.
--- film-news.co.uk
Chang Chen’s central performance as Lu is one of the best this year, a sensational display of naturalistic stress he forces himself to push through for his family’s survival first, and then his own. He anchors the film in a manner that appears so genuine it’s hard to watch at times, especially as he’s forced to make tough moral choices that poverty can thrust upon us.
--- film-news.co.uk
