我先说哈，最不可或缺的是（按年龄排序）：
杨泓、巫鸿、郑岩
另外，我有次在杨先生家瞄到他在北大上本科的时候记的笔记——文物啊——记的是宿先生的课，依稀仿佛是和建筑有关的，第一页的标题即是：美术考古。
当时我心里这个激动……

啊，忘写已经去世的师爷：刘敦愿先生！！！！！！
《美术考古与古代文明》是必读书。
刘敦愿：《美术考古与古代文明》，人民美术出版社，2007年。

对哈，写到每个人物，应该把他的著作列一下。
比如巫鸿，我偷懒先列以中文发表的那些吧。
巫鸿：《礼仪中的美术——巫鸿古代美术史文编》，郑岩等译，生活•读书•新知三联书店，2005年。
《武梁祠 : 中国古代画像艺术的思想性》，柳杨等译，生活•读书•新知三联书店，2006年
《美术史十议》，生活•读书•新知三联书店，2008年。
《中国古代艺术与建筑中的“纪念碑性”》，李清泉、郑岩等译，上海人民出版社，2009年。
《时空中的美术 : 巫鸿论中国美术史文编二集》，生活•读书•新知三联书店，2009年。
《重屏 : 中国绘画中的媒材与再现》，文丹译，上海人民出版社，2010年
巫鸿、施杰：《黄泉下的美术 : 宏观中国古代墓碑》，生活•读书•新知三联书店，2010年。
巫鸿主编：《汉唐之间的宗教艺术与考古》，文物出版社，2000年。
巫鸿主编：《汉唐之间文化艺术的互动与交融》，文物出版社，2001年。
巫鸿主编：《汉唐之间的艺术与物质文化》，文物出版社，2004年。


回来更正一个错误：《黄泉下的美术 : 宏观中国古代墓碑》应该是巫鸿著，施杰译。
巫鸿：《黄泉下的美术 : 宏观中国古代墓碑》，施杰译，生活•读书•新知三联书店，2010年。

     1982 co-author, Zhongguo gudai duliangheng tulu (An illustrated catalogue of weights and measures from ancient China). Beijing: Wenwu chubanshe.
     
     Articles:
     2010 “Ji: Traces in Chinese Landscape and Landscape Art,” Cahiers d’Extreme-Asie 17(2008): 167-192. (This issue is actually published in 2010.)
     2009 “Enlivening the Soul in Chinese Tombs,” in Res 55/56 (Autumn 2009), special issue on “Absconding,” 21-41.
     2009 “Rethinking East Asian Tombs: A Methodological Proposal,” ed. Elizabeth Cropper, Dialogues in Art History, from Mesopotamian to Modern (Washington, D. C., Center for Advance Study in the Visual Arts), pp. 139-166.
     2007 “Picturing or Diagramming the Universe,” in Francesca Bray, Vera Dorofeeva-Lichtmann, and George Métailié, eds., Graphics and Text in the Production of Technical Knowledge in China (Laden: Brill, 2007), pp.191-216.
     2006 “Mingqi de lilun he shijian---Zhanguo shiqi liyi meishu zhong de guannianhua qingxiang (The Theory and Practice of “Spirit Vessels” --A Conceptual Tendency in Warring States Ritual Art), Wenwu 2006(6): 72-81.
     2005 “On Tomb Figurines -- The Beginning of a Visual Tradition,” in Wu Hung and Katherine Mino, ed., Body and Face in Chinese Visual Culture.
     2004 “Huihua de ‘wushiwuzhixing’”(“Historical materiality” of painting), Yishushi yanjiu (The Study of Art History), pp. 1-5.
     2004 “Dunhuang 323 ku yu chu Tang fojiao” (Dunhuang Cave 323 and Early Tang Buddhism),in Sarah Fraser, ed., Tang Song de fojiao yu shehui: Siyuan caifu yu shisu gongyang (Merit, Opulence, and the Buddhist Network of Wealth).
     2003 “The Admonitions Scroll Revisited: Iconology, Narratology, Style, Dating,” in Shane McCausland, ed., Gu Kaizhi and the Admonitions Scroll. Londong: British Museum Press, 2003, pp. 89-99.
     2003 “Monumentality of Time: Giant Clocks, the Drum Tower, the Clock Tower,” in Robert S. Nelson and Margaret Olin, eds., Monuments and Memory: Made and Unmade, Chicago: University of Chicago Press, 2003, pp. 107-32.
     2003 “On Rubbings – Their Materiality and Historicity,” in Judith Zeitlin and Lydia Liu, ed., Writing and Materiality in China. Cambridge, Mass.: Harvard University East Asian Publication, pp. 29-72.
     2002 “What is Dunhuang Art?” in Annette L. Juliano and Judith A. Lerner, Nomads, Traders and Holy Men Along China’s Silk Road, Silk road Studies VII, BREPOLS, pp. 7-10.
     2002 “Zhang Guangzhishi, Hafo, he wo – huainian Zhangguangzhi xiansheng” (My teacher K. C. Chang, Harvard, and I), in Sihai weijia – zhuinian kaoguxuejia Zhang Guangzhi (The world is home: In memory of archaeologist K. C. Zhang), Beijing: Sanlian shudian, pp. 227-36.


     1997 "Beyond Stereotypes: The Twelve Beauties in Qing Court Art and The Dream of the Red Chamber." in E. Widmer and K. I. S. Chang, ed., Ming Qing Women and Literature. Stanford: Stanford University Press.
     1997 “Meishushi yanjiu lueshuo” (Brief notes on art history), Dongnan wenhua, 1997, 1, pp. 103-106.
     1996 "East Asian Art and Architecture from 700 BC to 700 AD," in J. Herrmann and E. Zürcher, History of Humanity: Scientific and Cultural Development, vol. 3 (UNESCO), pp. 101-4.
     1996 "Rethiking Liu Sahe: The Creation of a Buddhist Saint and the Invention of a 'Miraculous Image',” Orientations vol. 27, no. 10 (November 1996), pp. 32-43.
     1996 "The Painted Screen," Critical Inquiry vol. 23, no. 1 (Autumn 1996), pp. 37-79.
     1996 "Images and Concepts of Paradise in Han Art," Lishi wenwu (Bulletin of the National Museum of History, Taibei), vol. 6, no. 4 (August 1996), pp. 6-25. (in Chinese)
     1996 "Screen Images: Three Modes of 'Painting-within-Painting" in Chinese art," In Arts of the Sung and Yüan. New York: Department of Asian Art, The Metropolitan Museum of Art, pp. 319-37.
     1995 "Picturing Heaven in Second-Century China," The Smart Museum of Art Bulletin 1994-1995, University of Chicago, pp. 2-15.
     1995 "Private Love and Public Duty: Children's Images in Early Chinese Art," in A. B. Kinney, ed., Chinese Views of Chidhood. Honolulu: University of Hawaii Press, pp. 79-110.
     1995 "Emperor's Masquerade: 'Costume Portraits' of Yongzheng and Qianlong," Orientations 26.7 (July and August, 1995), pp. 25-41.
     1994 "Beyond the Great Boundary: Funerary Narrative in Early Chinese Art," in J, Hay, ed., Boundaries in China. London: Reaktion Books, pp. 81-104.
     1994 "The Transparent Stone: Inverted Vision and Binary Imagery in Medieval Chinese Art," Representations 46, pp. 58-86.
     1994 "Three Famous Stone Monuments from Luoyang: 'Binary' Imagery in Early Sixth Century Chinese Pictorial Art," Orientations 20.5, pp.51-60.
     1994 "Western and Japanese Scholarship on Han Pictorial Art in the Past 100 Years," Zhongyuan wenwu (Relics from central Plain), no.1, pp. 45-50. (in Chinese).
     1992 "Art in its Ritual Context: Rethinking Mawangdui," Early China 17, pp. 111-145.
     1992 "What is Bianxiang? -- On the Relationship between Dunhuang Art and Dunhuang Literature," Harvard Journal of Asiatic Studies 52.1, pp. 111-92.
     1992 "Reborn in Paradise: A Case Study of Dunhuang Sutra Painting and its Religious, Ritual, and Artistic Contexts," Orientations 23.5, pp. 52-60.
     1990 "The Art of Xuzhou: A Regional Approach," Orientations 21.10, pp. 40-59.


     1990 "The Great Beginning: Ancient Chinese Jades and the Origin of Ritual Art," in Chinese Jades from the Mu-Fei Collection.
     1989 "The Ritual Reforms of Emperor Han Ming and Emperor Wei Wen and the Rise and Fall of Early Chinese Tomb Art," Chinese Culture Quarterly 3.2, pp. 31-45. (in Chinese)
     1989 "The Shift of Religious Centers from Shang to Han and its Impact on the Development of Visual Art," in Yu Weichao, ed., An Anthology Celebrating Professor Su Bingqi's 55 Years of Archaeological Research. Beijing: Wenwu chubanshe, pp. 98-111. (in Chinese)
     1988 "From Temple to Tomb: Ancient Chinese Art and Religion in Transition," Early China 13, pp. 78-115.
     1987 "The Earliest Pictorial Representations of Ape Tales -- An Interdisciplinary Study of Early Chinese Narrative Art and Literature," T'oung Pao LXXIIL 1-3, pp. 86-111.
     1987 "Myth and Legend in Han Pictorial Art -- A Structural Analysis of Bas-reliegs from Sichuan," in Stories from China's Past, pp. 72-81.
     1987 "Xiwang Mu, the Queen Mother of the West," Orientations (April), pp. 24-33.
     1987 "A Study of Ancient cultures of the Shandong Region, in Light of Geographical Distribution and Topographical Changes," in Su Bingqi, ed., An Anthology of Chinese Archaeological and Cultural Studies. Beijing: Wenwu chubanshe. (in Chinese).
     1986 "Buddhist Elements in Early Chinese Art (2nd and 3rd century AD)," Artibus Asiae 47.3/4, pp. 263-347.
     1986 "Tradition and Innovation -- Ancient Chinese Jades in the Gerald Godfrey Collection," Orientations 17.11: 36-45.
     1985 "Bird Motifs in Eastern Yi Art," Orientations 19-10, pp. 30-41.
     1984 "A Sanpan Shan Chariot Ornament and the Xiangrui Design in Western Han Art," Archives of Asian Art, XXXVLL, pp. 38-59.
     1979 "On the Shape and Decoration of Bronzes from Mausoleums of the Zhongshan Kingdom," Wenwu 5, pp 46-50 (in Chinese). An English abstract of this article is in A. Dien, J. Riegel, and N. Price, Chinese Archaeological Abstracts vol.3. Los Angeles: The Institute of Archaeology, University of California, 1985, pp. 1083-87.
     1979 "A Group of Stone and Jade Carvings," Meishu yanjiu no. 1. (in Chinese)
     1979 "A Comprehensive Study of Weights of the Qin Dynasty," Palace Museum Journal 4, pp. 33-47. (in Chinese)
     1978 "On Yachou Bronzes and Ancient Yachou Kingdom," Restricted Publication of the Palace Museum. (in Chinese)
     Modern and contemporary:
     
     Books, edited volumes, and exhibition catalogues (*single authored books and collections of papers):
     
     2010 editor, Contemporary Chinese Art: Primary Texts (New York, MoMA publication, 2010).


     2010 author and editor, Summer: New Paintings by Zeng Hao (Beijing: Beijing Art Center, 23010)
     2009 author and editor, Waste Not: Zhao Xiangyuan and Song Dong (Tokyo: Tokyo Gallery). This book will accompany an exhibition at MoMA, New York in 2009.
     2009 author and editor, Zhang Xiaotao: Weiguan xushi (Zhang Xiaotao: Microscopic Narrative), (Chengdu: Sichuan meishu chubanshe, 2009)
     2009 author, Zhang Huan gongzuoshi: Yishu yu laodong (The Zhang Huan studio: Art and labor), (Guilin: Guangxi shifan daxue chubanshe, 2009).
     *2009 author, Wu Hung on Contemporary Chinese Artists (Hong Kong: Timezong8, 2009)
     2008 With J. McGrath and S. Smith, Displacement: The Three Gorges Dam and Contemporary Chinese Art, Chicago: Smart Museum of Art, 2008.
     *2008 author, Zou ziji de lu: Wu Hong lun zhongguo dangdai yishujia (On their own paths: Wu Hung on contemporary Chinese artists), Guangzhou: Ling’nan meishu chubanshe.(in Chinese)
     *2008 author, Making History: Wu Hung on Contemporary Chinese Art and Art Exhibition (Hong Kong: Timezone8, 2008)
     2008 author and editor, Yan: Shi Jinsong xinzuo zhan (Fire his breath, jade his bones: New work by Shi Jinsong), Platform China, Beijing.
     2008 co-author and co-editor, with Feng Boyi, Microscopi Narration: Social Images by Zhang Xiaotao and Li Yifan (Beijing: Iberia Center for Contemporary Art)
     2008 author, Portraying Food (and the Absence of It) (Chicago: Walsh Gallery, 2008)
     2007 author, Xia Xiaowan (Beijing: Aye Gallery, 2007)
     2007 editor and curator, Shen Shaomin: Between Heaven and Earth (Beijing: Tang Contemporary Art, 2007)
     2007 co-editor, New Photo: Ten Years, Hong Kong: Timezone8.
     2007 author, Mo Yi: My Neighborhood, Chicago: Walsh Gallery.
     2006 Editor, Shu-Reinventing Books in Contemporary Chinese Art, New York: China Institute Gallery.
     2006 author and editor, Xu Bing: Yancao jihua (Xu Bing: Tobacco project), Beijing: Renmin daxue chubanshe.
     2006 author, Zhang Dali: A Second History, Chicago: Walsh Gallery.
     *2005 author, Zuopin yu zhanchang: Wu Hong lun dangdai Zhongguo yishu (Art and exhibition: Wu Hung on contemporary Chinese art), Guangzhou: Lingnan meishu chubanshe.
     *2005 author, Remaking Beijing: Tianmen Square and the Creation of Political Space. London and Chicago: Reaktion Books and University of Chicago Press.
     2005 author, Miao Xiaochun: The Last Judgement, Chicago: Walsh Gallery.
     2004 author, Phantasmagoria: Recent Photographs by Miao Xiaochun, Chicago: Walsh Gallery, 2004.


     2005 “Phantasmagoria: Recent Photographs by Miao Xiaochun,” Yishu: Journal of Contemporary Chinese Art, September 2005, pp. 73-89.
     2005 “Negotiating Beauty in Contemporary Art – An Exhibition” (English and German), in Uber Schoneheit (About Beauty), Berlin: Haus der Kulturen der Welt, 2005, pp. 18-39
     2004 “Kongjian de xushi: Sange “shijianxing” zhanlan de cehua” (Narration through Space: Curating three “temporal” exhibitions), Dangdai yishujia zhi yan, December 2004, Museum of Contemporary Art, Taipei, 47-69.
     2004 “Refashioning ‘Water and Ink’: On Materiality in Contemporary Chinese Art,” in Rethinking of Orientalness in Visual Art, East-West Interculture Comparative Studies III. Seoul: Korean National Commission for UNESCO, Gwangju Biennale Foundation, Seoul National University, and Society of Contemporary Art Scient, 2004, pp. 141-56.
     2004 “Yancao jihua” (Tobacco project), Yishu shijie (Art world), no, 172 (September 2004), p. 66.
     2004 “Tui-Transfiguration: An Experimental Exhibition at Factory 798,” in Huang Rui ed., pp. Beijing 798: Reflections on Art, Architecture and Society in China (Beijing: Timezone 8, 2004), pp. 58-69.
     2004 “Intersection: An Exhibition of Contemporary Chinese Photography and Oil Painting,” in Wu Hung, Intersection: Contemporary Oil Painting and Photography. New York: Chambers Fine Arts, pp. 6-17.
     2004 “Between Past and Future: A Short History of Contemporary Chinese Photography,” in Wu Hung and Christopher, Between Past and Future: New Photography and Video from China,” Yishu: Journal of Contemporary Chinese Art. New York and Chicago: International Center of Photography and Smart Museum of Art, pp. 11-36.
     2004 “About Between Past and Future: New Photography and Video from China,” Yishu: Journal of Contemporary Chinese Art, June 2004, pp. 5-14.
     2003 “Contemporaneity in Experimental Chinese Photography,” in Tina Yapelli, ed., Zooming into Focus: Contemporary Chinese Photography and Video from the Haudenschild Collection. San Diego: University Art Gallery, San Diego State University, 2003, pp. 15-17.
     2003 “‘Shijing’ houxiandai” (“Vernacular” Post-Modern), Dushu 288 (March 2003), pp. 85-90.
     2003 “Three Persistent Individualists,” Art AsiaPacific 37, 2003, pp. 91-93.
     2002 "Preface to Beijing Afloat,” in Beijing Aflot: Beijing-Tokyo Art Projects Opening Exhibition, Beijing: Beijing-Tokyo Art Projects. pp. 8-12.
     2002 "A 'Domestic Turn": Chinese Experimental Art in the 1990s," Yishu 1.3 (November 2002), pp. 3-17.
     2002 "Contesting Global/Local: Chinese Experimental Art in the 1990s," Orientations 33.9 (November, 2002), pp. 62-67.
     2002 "'Experimental Exhibitions' of the 1990s," in Reinterpretation: A Decade of Experimental Chinese Art, 1990-2000. Guangzhou: Guangdong Museum of Art, 2002, pp. 83-97.


度娘居然把这个英文书目吐出来了？我以为永远吞了呢！

喵~~~

汪汪~

吱吱吱~
__________
话说我以为此楼已经歪到动物模仿秀上去鸟

那什么，兄弟们。。。杨泓先生的书单谁给列一下啊？