罗忠镕（1924年12月12日～2021年9月2日），中国作曲家、理论家、教授、博士生导师。他在一生中创作和改编了大量的交响乐、室内乐、艺术歌曲等，多数具有鲜明的中国民族风格。
此外，在学术领域上，他积极地将西方的作曲技法和音乐理论引入中国，翻译了Arnold Schönberg、Paul Hindemith、Allen Forte等人的众多专著和论文，著有专著《作曲初步练习》和若干论文。
他还将十二音技法与中国民族音乐的五声性相结合，创造了“五声性十二音技法”，并通过它创作《涉江采芙蓉》《第二弦乐四重奏》等作品。
In commemoration of the 100th anniversary of the birth of prof. Luo Zhong-rong
Luo Zhong-rong (12 December 1924 ~ 2 September 2021) was a Chinese composer, theorist, professor and doctoral supervisor. During his lifetime, he composed and adapted a large number of symphonies, chamber music and art songs, most of which are in a distinctive Chinese ethnic style.
Besides, in his academic field, he actively introduced western compositional techniques and music theories into China, translating numerous monographs and papers by Arnold Schönberg, Paul Hindemith, Allen Forte, etc., and authored the monograph "Basic Exercises in Composing of Music" and numerous papers.
He also combined the twelve-tone technique with the pentatonic nature of Chinese ethnic music, creating the "Pentatonic Twelve-Tone Technique", through which he composed works such as "She Jiang Cai Fu Rong (Crossing the River to Pick Lotus Flowers)" and "String Quartet No. 2", etc.
#音乐#
此外，在学术领域上，他积极地将西方的作曲技法和音乐理论引入中国，翻译了Arnold Schönberg、Paul Hindemith、Allen Forte等人的众多专著和论文，著有专著《作曲初步练习》和若干论文。
他还将十二音技法与中国民族音乐的五声性相结合，创造了“五声性十二音技法”，并通过它创作《涉江采芙蓉》《第二弦乐四重奏》等作品。
In commemoration of the 100th anniversary of the birth of prof. Luo Zhong-rong
Luo Zhong-rong (12 December 1924 ~ 2 September 2021) was a Chinese composer, theorist, professor and doctoral supervisor. During his lifetime, he composed and adapted a large number of symphonies, chamber music and art songs, most of which are in a distinctive Chinese ethnic style.
Besides, in his academic field, he actively introduced western compositional techniques and music theories into China, translating numerous monographs and papers by Arnold Schönberg, Paul Hindemith, Allen Forte, etc., and authored the monograph "Basic Exercises in Composing of Music" and numerous papers.
He also combined the twelve-tone technique with the pentatonic nature of Chinese ethnic music, creating the "Pentatonic Twelve-Tone Technique", through which he composed works such as "She Jiang Cai Fu Rong (Crossing the River to Pick Lotus Flowers)" and "String Quartet No. 2", etc.
#音乐#
