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中文被吞麻了，直接发原文，电影节官网对于佩尔的介绍，包括生涯回顾和主要成就。
French actress Isabelle Huppert (Elle, The Piano Teacher, La Cérémonie) will be the president of the International Jury of the Competition at the 81st Venice International Film Festival (August 28 - September 7, 2024), which will assign the Golden Lion for Best Film, as well as other official awards.
The decision was made by the Board of Directors of the Biennale di Venezia, who confirmed the recommendation of the Director of the Venice Film Festival, Alberto Barbera.
In accepting the proposal, Isabelle Huppert said: “There is a long and beautiful history between the Festival and I. Becoming a privileged spectator is an honor. More than ever, cinema is a promise. The promise to escape, to disrupt, to surprise, to take a good look at the world, united in the differences of our tastes and ideas”.
Alberto Barbera commented: “Isabelle Huppert is an immense actress, demanding, curious and of great generosity. The muse of numerous great filmmakers, she has never shirked the invitation of young or not-so-famous directors who have seen in her the ideal interpreter of their stories. Her enormous willingness to constantly put herself on the line, a sign of her uncommon intelligence, together with her ability to look at cinema beyond geographic and mental boundaries, make her an ideal President of the Jury in a festival open to the entire world such as the Venice Film Festival. We are very grateful to her for accepting the position, aware of the many commitments in film and theater that she will face in the coming months”.
Isabelle Huppert developed an interest in acting as a teenager and entered the Versailles Conservatory. She won the Best Actress award at the Cannes Film Festival in 1978 for Violette by Claude Chabrol. She worked with Chabrol in seven other films and won the Coppa Volpi for best actress at the Venice Film Festival twice with Story of Women (1988) and La Cérémonie (1995), for which she also obtained her first César Award. In 2001 she won her second Best Actress award at the Cannes Film Festival for The Piano Teacher by Michael Haneke. In 2005 Huppert was honoured by the Venice Film Festival with a Special Golden Lion for the Overall Work for Gabrielle by Patrice Chéreau. In 2017 she gained her first Academy Award nomination for Elle by Paul Verhoeven, for which she also won a Golden Globe and an Indipendent Spirit Award. In 2022 she was appointed as the recipient of the Honorary Golden Bear at the Berlin Film Festival.
French actress Isabelle Huppert (Elle, The Piano Teacher, La Cérémonie) will be the president of the International Jury of the Competition at the 81st Venice International Film Festival (August 28 - September 7, 2024), which will assign the Golden Lion for Best Film, as well as other official awards.
The decision was made by the Board of Directors of the Biennale di Venezia, who confirmed the recommendation of the Director of the Venice Film Festival, Alberto Barbera.
In accepting the proposal, Isabelle Huppert said: “There is a long and beautiful history between the Festival and I. Becoming a privileged spectator is an honor. More than ever, cinema is a promise. The promise to escape, to disrupt, to surprise, to take a good look at the world, united in the differences of our tastes and ideas”.
Alberto Barbera commented: “Isabelle Huppert is an immense actress, demanding, curious and of great generosity. The muse of numerous great filmmakers, she has never shirked the invitation of young or not-so-famous directors who have seen in her the ideal interpreter of their stories. Her enormous willingness to constantly put herself on the line, a sign of her uncommon intelligence, together with her ability to look at cinema beyond geographic and mental boundaries, make her an ideal President of the Jury in a festival open to the entire world such as the Venice Film Festival. We are very grateful to her for accepting the position, aware of the many commitments in film and theater that she will face in the coming months”.
Isabelle Huppert developed an interest in acting as a teenager and entered the Versailles Conservatory. She won the Best Actress award at the Cannes Film Festival in 1978 for Violette by Claude Chabrol. She worked with Chabrol in seven other films and won the Coppa Volpi for best actress at the Venice Film Festival twice with Story of Women (1988) and La Cérémonie (1995), for which she also obtained her first César Award. In 2001 she won her second Best Actress award at the Cannes Film Festival for The Piano Teacher by Michael Haneke. In 2005 Huppert was honoured by the Venice Film Festival with a Special Golden Lion for the Overall Work for Gabrielle by Patrice Chéreau. In 2017 she gained her first Academy Award nomination for Elle by Paul Verhoeven, for which she also won a Golden Globe and an Indipendent Spirit Award. In 2022 she was appointed as the recipient of the Honorary Golden Bear at the Berlin Film Festival.
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官网对终生成就奖得主彼得·威尔的介绍：
巴贝拉：“With a total of only thirteen movies directed over the course of forty years, Peter Weir has secured a place in the firmament of the great directors of modern cinema. At the end of the 1970s, he made a name for himself as the main man behind the rebirth of Australian film thanks to two movies, The Cars That Ate Paris and Picnic at Hanging Rock, the latter of which gained cult film status over the years. The international success of his two next movies, Gallipoli and The Year of Living Dangerously, opened Hollywood's doors to him and he soon became one of its major protagonists. In his films, Weir combines reflections on personal themes and a need to reach as vast an audience as possible. Despite the diversity of the topics he addresses, it is not difficult to discover a constant in his daring, rigorous, and spectacular film opus: a sensitivity that allows him to deal with highly up-to-date topics, such as a fascination with nature and its mysteries, the crisis of adults in consumerist societies, the difficulties of educating young people about life, the temptation of physical and cultural isolation, but also the lure of adventurous impulses and the instinct for rebellion. Celebrating a taste for storytelling and innate romanticism, Weir has reinforced his own role in the Hollywood establishment, all the while keeping his distance from the American movie industry. Witness, The Mosquito Coast, Dead Poets Society, Fearless, The Truman Show, and Master & Commander are the major stages of an artistic career that has conserved its underlying integrity, all the way inside the commercial success of the movies he has made.”
个人简介：
Peter Weir (born August 21, 1944, Sydney, Australia) is an Australian film director and screenwriter two time winner of the BAFTA David Lean for Direction Award for The Truman Show (1998) and Master & Commander (2003). In 2022 he became the first Australian filmmaker to be awarded an Honorary Oscar. He was a pivotal figure in the Australian New Wave cinema of the 70s.
After briefly attending the University of Sydney, he traveled to Europe in 1965. By the time he returned to Australia the following year, Weir began working as a stagehand for a television network. Beginning in 1969, he worked for the government-funded Commonwealth Film Unit as a director. Weir struck out on his own in 1973, and directed his first feature film, the comic-horror The Cars That Ate Paris (1974), which he also wrote. He won an international audience with Picnic at Hanging Rock (1975), followed by The Last Wave (1977), for which he also cowrote the screenplay. The World War I drama Gallipoli (1981), based on a story by Weir and starring Mel Gibson, won eight Australian Film Institute awards and burnished Weir’s international reputation. His last Australian production, which he cowrote as well as directed, was The Year of Living Dangerously (1982), a drama set in Indonesia around the time of the overthrow of President Sukarno and starred Gibson and Linda Hunt. In 1985 Weir directed his first Hollywood film, Witness, for which he received his first Academy Award nomination for best director. The movie also earned the Oscar for best original screenplay and best editing. Weir continued to earn acclaim with films such as Dead Poets Society (1989), a drama set in a boys’ preparatory school in the 1950s, The Truman Show (1998), a fable about the tyranny of the media. Both films premiered at the Venice International Film Festival. Weir then directed Master & Commander (2003), a seafaring epic based on the series by Patrick O’Brian and cowritten by Weir. These threemovies all earned Weir Oscar nominations for best director. His other films included The Mosquito Coast (1986), Green Card (1990), Fearless (1993), and The Way Back (2010).
巴贝拉：“With a total of only thirteen movies directed over the course of forty years, Peter Weir has secured a place in the firmament of the great directors of modern cinema. At the end of the 1970s, he made a name for himself as the main man behind the rebirth of Australian film thanks to two movies, The Cars That Ate Paris and Picnic at Hanging Rock, the latter of which gained cult film status over the years. The international success of his two next movies, Gallipoli and The Year of Living Dangerously, opened Hollywood's doors to him and he soon became one of its major protagonists. In his films, Weir combines reflections on personal themes and a need to reach as vast an audience as possible. Despite the diversity of the topics he addresses, it is not difficult to discover a constant in his daring, rigorous, and spectacular film opus: a sensitivity that allows him to deal with highly up-to-date topics, such as a fascination with nature and its mysteries, the crisis of adults in consumerist societies, the difficulties of educating young people about life, the temptation of physical and cultural isolation, but also the lure of adventurous impulses and the instinct for rebellion. Celebrating a taste for storytelling and innate romanticism, Weir has reinforced his own role in the Hollywood establishment, all the while keeping his distance from the American movie industry. Witness, The Mosquito Coast, Dead Poets Society, Fearless, The Truman Show, and Master & Commander are the major stages of an artistic career that has conserved its underlying integrity, all the way inside the commercial success of the movies he has made.”
个人简介：
Peter Weir (born August 21, 1944, Sydney, Australia) is an Australian film director and screenwriter two time winner of the BAFTA David Lean for Direction Award for The Truman Show (1998) and Master & Commander (2003). In 2022 he became the first Australian filmmaker to be awarded an Honorary Oscar. He was a pivotal figure in the Australian New Wave cinema of the 70s.
After briefly attending the University of Sydney, he traveled to Europe in 1965. By the time he returned to Australia the following year, Weir began working as a stagehand for a television network. Beginning in 1969, he worked for the government-funded Commonwealth Film Unit as a director. Weir struck out on his own in 1973, and directed his first feature film, the comic-horror The Cars That Ate Paris (1974), which he also wrote. He won an international audience with Picnic at Hanging Rock (1975), followed by The Last Wave (1977), for which he also cowrote the screenplay. The World War I drama Gallipoli (1981), based on a story by Weir and starring Mel Gibson, won eight Australian Film Institute awards and burnished Weir’s international reputation. His last Australian production, which he cowrote as well as directed, was The Year of Living Dangerously (1982), a drama set in Indonesia around the time of the overthrow of President Sukarno and starred Gibson and Linda Hunt. In 1985 Weir directed his first Hollywood film, Witness, for which he received his first Academy Award nomination for best director. The movie also earned the Oscar for best original screenplay and best editing. Weir continued to earn acclaim with films such as Dead Poets Society (1989), a drama set in a boys’ preparatory school in the 1950s, The Truman Show (1998), a fable about the tyranny of the media. Both films premiered at the Venice International Film Festival. Weir then directed Master & Commander (2003), a seafaring epic based on the series by Patrick O’Brian and cowritten by Weir. These threemovies all earned Weir Oscar nominations for best director. His other films included The Mosquito Coast (1986), Green Card (1990), Fearless (1993), and The Way Back (2010).
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