【资讯】来了来了，小马精灵奔向自由正式预告特别插曲。

不知道为啥官方要愚人节前一天发预告

抢沙发

海报图，官方亲自发邮件发我的

这部预告片极为迷幻，部分镜头的渲染深度都不一样，明显部分来自于TV，部分来自于电影团队，甚至分辨率都不一样，我感觉Dw近几天出问题了，是不是bossbaby出问题了还是环球强制安排还是怎么着，反正目前来说这部电影很迷幻。

目前来说粉丝不买账，ins已经被炸了，我怀疑梦工厂会不会真的会去明年立项驯龙的第四部

I just don’t understand why the producers wanted to go with the safe, watered-down Girl Power angle for a film that used to mean SO much for native audiences. The thing that used to differentiate dreamworks from Disney was their braveness to tackle difficult but compelling storytelling with giants like Prince of Egypt and the original Spirit. John Fusco’s talent REALLY shone through that one, creating one of only THREE animated native protagonists in a major animated film (that doesn’t get turned into a bear). Now...now the executive producers are watering down any meaningful impact they could’ve had with their films by simply going for what will “sell well”. And challenging white audiences to face the impact of white colonization of native lands and peoples doesn’t “sell well” apparently.
I’m just so disappointed to see the only great contender with Disney grow fearful and generic, they’ve become exactly what they hated: gimmicky, doe-eyed, pretty and bland.

机翻：
我只是不明白为什么制片人要在一部对本土观众来说意义重大的电影中采用安全的、弱化了的女性力量视角。过去，将梦工厂与迪士尼区别开来的是，他们勇敢地与《埃及王子》和《原创精神》等巨作一起讲述困难但引人入胜的故事。约翰·弗斯科(John Fusco)的才华在这部影片中脱颖而出，他是一部大型动画电影中仅有的三个本土动画主角之一(但没有变成熊)。现在…现在，执行制片人正在淡化他们本可以对电影产生的任何有意义的影响，只一味追求“畅销”的东西。而挑战白人观众去面对白人对土著土地和民族殖民的影响显然并不“卖座”。
我只是很失望地看到迪士尼唯一的强大竞争者变得恐惧和平庸，他们变成了他们所讨厌的:噱头，小鹿眼，漂亮和乏味。

Dreamworks：没想到吧，我就喜欢模仿迪士尼，憨憨的主角，大大的眼睛，漂亮的衣服。

我来瞅瞅

不买账+1

DW近几年制作水准和dis相差甚远