高清版11区海报

https://icedcoffeeopinions.wordpress.com/2017/09/04/some-of-the-new-songs-for-frozen-the-musical/
SOME OF THE NEW SONGS FOR FROZEN THE MUSICAL
THERE ARE 24 SONGS IN THE MUSICAL
This is what was played in order
Act I
1. Vuelie
2. Anna And Elsa
3. A little bit of you
4. Do you want to build a snowman?
5. For the first time in forever
6. Hans of the Southern Isles
7. Dangerous to Dream
8. Love is an open door
9. Reindeer(s) are better than people
10. What do you know about love?
11. In Summer
12. Hans of the Southern Isles (Reprise)
13. Let it go
Act II
14. Hygge
15. For the First Time In Forever (Reprise)
16. When Everything Falls Apart
17. Fixer Upper
18. Monster
19. Hans Of The Southern Isles (Reprise 2)
20. True Love
21. Colder by the Minute
22. Vueille (Love Thaws)
23. Resolution
The thing about the new songs is that they went deeper into the characters minds. The thoughts and emotions we never really saw in the movie. It gave us a better perspective on the characters point of view and how they were feeling during certain parts of the film. They had a couple outtake songs from original soundtrack that didn’t make it in the movie, incorporated into the show.
The song “A little bit of you” is about Elsa and Anna as little kids, building Olaf their “snowman” and they were singing about how bits of each other were put into making Olaf’s personality. It’s a very sweet song about sisterhood and bonding.
“Hans of the Southern Isles” is about Prince Hans and his past. He talks about how he’s the youngest brother of all of the Southern Isles. He explains his place in his kingdom and how he’ll never achieve greatness because he’s 13th in line. It’s such a sad song, and he actually has two (2) reprises later on in the show.
“What Do You Know About Love” is a duet between Anna and Kristoff (which ultimately replaces the sled scene with the wolves) but it shows the disagreements between Anna and Kristoff talking about true love because at the time neither of them knew what “true love” really meant.
“Dangerous to Dream” is a song about Queen Elsa’s inner thoughts before and during her coronation. She’s singing to her sister (whos unaware of course) that she feels like a monster and she can’t wait for the day where it’s just Anna and her without the struggle of the powers in the way. She dreams about being the sisters they once were in their younger days, but to her it’s “dangerous to dream.”
Hygge is a fun but weirdly placed song. It’s in the beginning of Act II. It takes place at oaken’s cabin. The ensemble plays oaken’s, extended family. It was all about family, friends, love, and acceptance. Although what bothered me that it took away the personality we all know and love from Princess Anna. It looked like they gave more power to Kristoff, and the portrayal was that Kristoff had more power over Anna which wasn’t so apparent in the film.
“Monster” is probably my favorite new song out of the musical. Elsa is singing to herself in the middle of a fight between her and Prince Hans, Duke of Wesleton, and the minions. She’s thinking about suicide or exiling herself from the kingdom of Arendelle. Despite just singing “Let It Go” and finally feeling free, after years of isolation, anxiety and untreated depression Elsa seemed to go back into this state of mind that she has to be the “monster” that everyone tells her she is. She sings about how it would be better if she wasn’t around and that the Kingdom and her sister would be better off without her. She sings to herself that she can’t handle all of that, but she made the conscious decision to be taken alive by Prince Hans, so she can see that her sister is safe and sound.
Partial Lyrics for the song “Monster”
You try to be good, but you fail, you fail
Fear will be your enemy and death it’s consequence
That’s what they both said to me and it’s starting to make sense
All this fear and all this pain began because of me
The thing I have to be, a monster
Were they right? Has the dark in me finally come to light?
Am I a monster full of rage? Was I a monster from the start?
No where to go but on a rampage. Or am I just a monster in a cage?
What’ll I do? No time for crying now
I started this storm, gotta stop it somehow
Do I keep on running? How far do I have to go?
And would that push the storm away or only make it grow?
I’m making my world colder. How long can it survive?
Is everyone in danger, as long as I’m alive?
Was I a monster from the start? How did I end up with this frozen heart?
…Do I kill the monster? Father, you know what’s best for me. If I die, will they be free?
Mother, what if after I’m gone, the cold gets colder and the storm rages on?
No, I have to stay alive to fix what I’ve done.
Save the world from myself and bring back the sun
…I cannot be the monster. I will not be the monster. Not tonight!
This is all I have for now, Hope you guys get the oppurtunity to watch Frozen The Musical.
It’s still in Denver until October 2017 at the Denver Center of Performing Aarts.
Next year it will be playing at St. James Theater next Februrary in New York City.

https://www.list.co.uk/article/95330-frozen-to-return-to-uk-cinemas/
11.25和26号会在英国重映一个周末，OLAF短片也会一起

一些推上的评价和互动

小短片三首新歌试听
That time of year https://pan.baidu.com/s/1c1GCToc
Ring in the season https://pan.baidu.com/s/1jHLkuNW
When We're Together https://pan.baidu.com/s/1cD9uCA

最近去外地出差了，一直没时间更

http://www.digitalspy.com/movies/frozen/news/a838010/frozen-2-kristen-bell-starts-work-on-disney-sequel/
Frozen 2's Kristen Bell reveals she's starting work on the Disney sequel
For the first time in forever, we're excited!

https://www.forbes.com/sites/scottmendelson/2017/09/13/box-office-frozen-2-might-get-iced-by-star-wars-episode-ix/#1a5b96d26a24
BOX一篇报道，认为星战9的改档会对冰雪2票房有很大影响
Box Office: 'Frozen 2' Might Get Iced By 'Star Wars Episode IX'
“But what about Frozen 2?” That was my first thought upon hearing that Walt Disney had movedStar Wars: Episode IX from May 24, 2019 to Dec. 20, 2019. It wasn’t a huge surprise since last two (soon to be three) Star Wars movies did obscenely well over the Christmas holiday and because the director change and script changes (partially due to Carrie Fisher’s passing late last year) may have justified a delay in production. But even if we argue that Christmas is better forStar Wars, especially the episode installments, this still puts Disney’s most valuable live-action franchise against its most valuable animated property. If history is any indication, Frozen 2 is going to take a hit because of its proximity to Star Wars.
2019 was always going to be obscenely crowded, and Disney's strategy that seemed to be in place (smother the other studios with mega-hits even if each individual Disney movie leaves money on the table due to cannibalization) a few months ago still applies. Swapping Star Wars 9 for Aladdinover Memorial Day still makes a potent 1-2 summer combo with Avengers: It Which Must Not Be Titled and Aladdin opening within weeks of each other. If there is a loss to be had with the second May Disney movie opening right after the MCU opus, better to ding Aladdin (which isn’t necessarily trying to spawn a bunch of sequels) than the J.J. Abrams space opera. Yet, Walt Disney may have too many franchises.
Now, for the record, if the goal is market share and squashing the competition by a sheer show of force, then you can never have too many successful big-scale IPs on your docket. But Disney is now at a point where they can’t delay one biggie without hurting another one or putting their whole release docket in peril. Absent Frozen 2’s Thanksgiving release, moving Star Wars 9 to Dec. 20, 2019 would have been a no-brainer. But now, assuming they keep both monster releases within a month of each other, we do have to wonder what effect Star Wars 9 is going to have on Frozen 2. This isn’t the first time Disney has had this “problem.” Heck, it’s almost becoming a pattern.
Back in late 2009, Walt Disney released The Princess and the Frog into theaters, not over Thanksgiving weekend, where it had a brief platform run, but in the middle of December. The reasoning was likely so that it wouldn’t conflict too much with Robert Zemeckis’ pricey A Christmas Carol, which was slotted as the holiday season kickoff movie. But the vast majority of the press and buzz around The Princess and the Frog occurred right during the Thanksgiving weekend when most folks couldn’t see it. By the time it went wide on Dec. 13, everyone was talking about Avatar and the media had moved on, and the surprisingly huge performance of Alvin and the Chipmunks: The Squeakquel over Christmas weekend sealing its doom.
Neither film was that all successful. A Christmas Carol earned $325 million worldwide on a $200m budget and Princess and the Frog somewhat underperformed with $224m worldwide on a $105m budget. Sadly, the conventional wisdom around the old-school Disney toon was that it failed because of its hand-drawn origins and the gender-specific nature of its title. Without discounting old-school racism (oh boy, did I get some “I’m not a racist, but…” type comments in my blog posts during that season), I’ve long argued the film opened at the wrong time and would have done better as a Thanksgiving (or pre-Thanksgiving weekend) wide release. Disney seems to agree with me since they never made that mistake again. Tangled and Frozen both opened over Thanksgiving weekend in 2010 and 2013.
But then Walt Disney bought Lucasfilm and started releasing Star Wars movies over Christmas. Now the initial call to move The Force Awakens from Memorial Day weekend of 2015 to Dec. 18, 2015 was absolutely the right call, one I argued for and then championed. But, to quote an arch villain in a rival studio’s super important franchise, victory has its price. Overshadowed endless speculation, hype and pre/post-release commentary for Spectre, The Hunger Games: Mockingjay part II, Creed and The Force Awakens, Pixar’s delayed and rejiggered The Good Dinosaur opened smaller than hoped ($55m over five days) and crashed after its debut (a $127m domestic total). So, did The Force Awakens protect Pixar from its first flop or did it help cause it? Maybe a little of both.
Walt Disney’s Moana was a hit last year but fell well short of Frozen. The well-received princess adventure earned $248 million domestic and $643m worldwide, a fine sum but one that nonetheless felt overshadowed by Marvel’s Doctor Strange, Lucasfilm’s Rogue One and (to a lesser extent) Warner Bros.’ Fantastic Beasts and Where to Find Them (all of which made more worldwide). As I’ve noted before, one of the factors in Frozen’s leggy run ($400m domestic from a $93m Wed-Sun debut) was the lack of kid-friendly competition from Thanksgiving weekend untilThe LEGO Movie in February of 2014. The absence of said vacuum is one reason why Frozen 2may end up short of Frozen. That’s okay, but as of yesterday, the biggest wound may be self-inflicted.
The success of Universal/Comcast Corp.’s Sing alongside the Star Wars movies and the MCU November releases means that we’re never going to have a year-end season like 2013, where the “big” movie (The Hobbit: The Desolation of Smaug) is a hard PG-13 and the other stuff (Secret Life of Walter Mitty, 47 Ronin, Saving Mr. Banks) are aimed at older kids or adults. We’ll get MCU movies, DC Films movies, 007 films, Star Wars sequels, Fantastic Beasts movies and Disney/Pixar animated offerings along with more kid-friendly stuff right at Christmas. You can argue what may or may not get lost in the shuffle, the irony is that in 2019 it’ll be (again) the Disney live-action giant that will prevent the Disney toon from monopolizing the kid marketplace.
None of this means Frozen 2 is doomed or that Disney cares more about Star Wars than the animated princess brand. The Mouse House has been so successful at building varied brands (Lucasfilm, MCU, the live-action fairy tale stuff, Pixar, DWA) that the biggest competition for Disney and/or the biggest impediment for maximized potential for each respective Walt Disney release may, in fact, be a different Walt Disney release opening just before or after. But there is a difference between Pirates 5 taking a hit because of Guardians 2 and Frozen potentially taking a hit due to Star Wars 9 (or vice versa). The end result is Disney’s biggest live-action IP and their crowning animated achievement essentially opening head-to-head when each would dominate absent each other.
If the goal is combined 2019 market share domination (Avengers, Aladdin, Toy Story 4, The Lion King, Frozen 2, Star Wars 9, etc.), then all of this is merely trivia. If history is any indication,Frozen 2 may have to settle for making most of the money instead of what otherwise would have been all the money. Maybe I’m 180-degrees wrong and Frozen 2 will hurt Star Wars 9, but either way precedent suggests that both films opening so close to each other will result in lower total earnings for at least one of them. And yeah, this is different from Avengers: Age of Ultron essentially giving cover to Tomorrowland's failure. This is a Disney top-tier blockbuster against a Disney top-tier blockbuster.
Frozen 2 versus Star Wars 9 is going to be a heck of an accidental battle. All Wonder Woman 2and Wicked can do is get the hell out of the way.
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KB和IM 双方取关了IG，希望没事。。。。。

joshgadNothing is more exciting than getting back in the booth with this incredible team. Chris Buck, Jennifer Lee, Peter Del Vecho, Kristen Anderson-Lopez and Bobby Lopez along with John Lasseter and the amazing people at@disneyanimation have created a story that carries on the incredible legacy of the original #Frozen and continues to build and expand on the characters and themes in new and exciting ways. Unfortunately, that’s all I can tell you right now. But, rest assured#Frozen2 is on the way and damn is it going to be special. 11.27.19