可惜去不了

Idina Menzel & Kristen Bell - When We're Together | Disney's Magical Holiday Celebration 2017
ht去tps://pa掉n.baidu.com/s文/1kUW字ImMF

h去ttp://ww掉w.abc.net.au/ne文ws/2015-05-01/chris-buck-adm字its-working-on-frozen-sequel-daunting/6435002
Print Email Facebook Twitter MoreCreator of Frozen, animation director Chris Buck, admits working on sequel to the blockbuster is daunting

百度

油管上一个百万订阅的博主Channel Awesome
Is Olaf's Frozen Adventure Worth the Hate?

我觉得Disney这样挺好的，做续集就好好做，不会为了热度拍烂片圈钱，想当年我也是因为frozen才对好莱坞动画片感兴趣的，虽然这不是我最喜欢的片子，但上映的时候，还是会去支持的

《雪宝的冰雪大冒险》英语无字:http://m.youku.com/video/id_XMzE5OTU3MTI4MA==.html?refer=pc-sns-1&source=&from=groupmessage

度娘连吞两次 再试一次吧

各位粉丝别去外面单独开贴发资源了，风向逛贴吧的也知道

把第二幕删了绝对没那么多差评，麻烦迪士尼长点心吧，OLAF奔着EP的jarjar去了

Olaf's Frozen Adventure will be put on ice.
Disney has directed theaters running Coco, Pixar's latest, to remove the deeply unpopular 22-minute Frozen short that plays in front of each screening. The removal goes into effect on Dec. 8, sources familiar with the matter confirmed to Ma****le.
SEE ALSO: Pixar's 'Coco' is more than just another inspirational fantasy
The request from Disney also asks that theaters use the newly freed-up time to hold extra screenings of Coco each day.
Pixar movies generally open with a completely unrelated short film, usually running no more than 10 minutes. Olaf changed the game somewhat, between its length and its reliance on a Disney Animation Studios hit (Pixar's shorts are generally homegrown).
The Frozen short has been especially problematic for a number of reasons. Length is the biggest issue, of course, since the actual movie doesn't start until 40 minutes after the advertised time, between trailers, ads, and Olaf. That's a lot of extra sitting around for an audience comprised primarily of kids expecting a story about music and family, set against the backdrop of Mexico's Dia de los Muertos.
Some have also accused Disney of shameless self-promotion, for swapping in what is seen as an ad for Frozen 2 — which is out in Nov. 2019 — where there would usually be a Pixar creation. As Ma****le's Brittany Levine wrote last week, Olaf's Frozen Adventure "felt like Disney was spitting in my popcorn for 21 minutes."
Disney hasn't yet responded to a request for comment.

幕后视频

The Frozen machine has never felt more marketably mechanical than it does in Olaf’s Frozen Adventure.
Directed by Kevin Deters and Stevie Wermers, the 21-minute ‘short’ was originally commissioned for television but has found its way onto big screens. Ostensibly, this is with the film having cinematic quality, but it seems more likely that the switch is due to internal fears that Coco’s Mexico-set Day of the Dead festival would struggle to attract audiences. Unlike in America, where the Frozen spin-off has been slipped in front of the new Pixar film, in the UK Olaf’s Frozen Adventure has been granted its own little run, packaged with a re-release of the original blockbuster.
Set during the first Christmas in forever – or, at least, since the film – Olaf’s Frozen Adventure sees Anna and Elsa (Kristen Bell and Idina Menzel) plan a celebration of the sort Arendelle hasn’t experienced since the passing of their parents. When the townspeople all disappear, however, to enjoy their own family Christmases, the sisters forlornly realise that they do not themselves have any such traditions. Ever the ray of (ironic) sunshine, Olaf the snowman thus makes it his mission to bring back Christmas to the royal household by finding some traditions of his own.
In much the same vein as Frozen Fever, the preceding short, Olaf’s Frozen Adventure offers little but sweet riffs on its billion dollar inspiration. This time, though, it’s harder to maintain interest. A reel of new songs, from Elyssa Samsel and Kate Anderson, never quite catch light as the Kristen Anderson-Lopez and Robert Lopez ones did, lacking energy and coming across forced, as opposed to organic.
The same can be said of pretty much everything in the short; it’s imitative rather than innovative. Whilst it’s a treat to re-visit the loveable characters, still wonderfully animated, and pleasant to explore more of their world, this is all very superficial. It’s hard not to be left feeling a touch fed up that they’re still banging on about that time they ‘opened up the gates’. Move on – we already have.
Frozen fanatics are sure to have fun with the adventure, but, beyond beautiful animation, Olaf really isn’t cinematic and really is forgettable.