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Foreword
The Winds of War is a fiction, and all the characters and adventures involving the Henry family are imaginary. But the history of the war in this romance is offered as accurate; the statistics, as reliable; the words and acts of the great personages (famous person, important person), as either historical, or derived from accounts of their words and deeds in similar situations. No work of this scope can be free of error, but readers will discern, it is hoped, an arduous effort to give a true and full picture of a great world battle.
World Empire Lost, the military treatise by Armin von Roon, is of course an invention from start to finish. Still, General von Roon's book is offered as a professional German view of the other side of the hill, reliable within the limits peculiar to that self-justifying military literature.
Industrialized armed force, the curse that now presses so heavily and so ominously on us all, came to full power in the Second World War. The effort to free ourselves of it begins with the effort to understand how it came to haunt us, and how it was that men of goodwill gave — and still give — their lives to it. The theme and aim of The Winds of War can be found in a few words by the French Jew, Julien Benda:
Peace, if it ever exists, will not be based on the fear of war, but on the love of peace. It will not be the abstaining from an act, but the coming of a state of mind.
In this sense the most insignificant writer can serve peace, where the most powerful tribunals 法庭 can do nothing.