回复：Faber & Faber版《春光乍泄》手记原文+翻译

Days of Being Tired
疲惫的日子
（幽梦：或者可以叫“阿汰正传”？老杜又在这玩文字游戏啦。阿飞正传的英文名是《Days ofBeing Wild（狂野的日子）》。这里一字之差，改成“疲惫的日子”。）
Our third twenty-hour shoot in asmany days. Leslie must leave tomorrow. We hustle to get hishalf-dozen scenes done in a single night. Leslie's in a buoyantmood. Happy to be leaving, relishing all the chaos his departure willcause. My gaffer and I are so tired we spend two hours trying to convinceeach other that we actually agree on where all three of our lamps should go.'Compromise, Chris!' exhorts Wong. 'It won't matter how good or bad the lightis if we don't have an actor to stand in it!'
几天之内我们已经是第三次连续 20小时拍摄。明天Leslie就必须离开。我们赶着在一晚内把他的半打场景拍完。Leslie心情愉快。很高兴能离开，品味着他的离开将会导致的混乱。我和我的灯光师太累了，以致花了两个小时来说服对方我们对三盏灯的摆放位置其实已经达成了共识。 “折中吧，Chris！”王（家卫）劝诫。“如果没有演员站在里面，多好或多坏的灯光都毫无用处！”

看381楼，这里也是，有些工作人员埋怨哥哥的情绪。

@妖妖Leslie 为毛你可以楼中楼，我就不行？？

Rushes
I don't know why I bother going tosee rushes, I usually sleep through them, and the good labs are always somehowtwo hours out of town. We all laugh at the 'silly' bits and make a few injokes. They give me the lab technical data... which I always manage tolose. Technicians smoke and shuffle their feet, waiting for instructionsI can't or don't know how to give. I never know how to talk about what wesee- at least, not intelligently or technically enough to be of much useto anything but this diary.
毛片
我不知道我为什么会去看毛片，通常（看片的时候）我在睡觉，加上好的冲印室总是莫名其妙地至少离城市两个小时。我们都在取笑“傻傻”的片段，并讲一些我们自己才听得懂的笑话。他们给我的技术性的数据...我总是会弄丢。技术员们边抽烟边挪动着双脚，等待着我不能下达或不知道如何下达的指示。我从来不知道如何谈论我们所看到的，至少，不能足够明智性地或足够技术性地（来谈），所以没用任何用处，除了（写）这篇日记。

这段也不在 F&F的版本，在《飞行记》里
Pretty Boys （October 18）
We watch all the rushes so far: “It’s not Gay enough” Wong is worried …
“It’s about compassion and complicity …” I suggest: “… not about two men having sex.”
“It’s too pretty”
“It’s bright like we wanted,” I counter, “I’ll roughen it up if you want when we do the final print” … But I am getting a little worried too … I sneak back two hours later to see just how bad the damage is. “I wouldn’t call it pretty …” I reassure myself … but you could say it is a little too “chaste”.
漂亮男孩(10月18日)
我们看了现有的全部毛片。
“这还不够基情”王（家卫）担心......
“这是关于同情和同谋......”我提议：“......并不是关于两个男人在做爱。”
“这太漂亮了”
“这正是我们想要的光明”我反驳，“如果你想，我可以在最后印片时把它变得粗糙些”......但我也开始有点担心...两个小时后我偷偷回去看到底有多么糟糕。
“我不会称它为漂亮......”我安慰自己...但你可以说它有点太“纯洁”。

三分之二啦~

三分之二啦~

我要申请休息几天……

1997版的《飞行记》到手啦~

本想拍一些图片分享的，不过发现吧里早有人全本分享过了。看这个帖：
http://tieba.baidu.com/p/1253677750?see_lz=1&pn=1
从92楼开始是春光的图，包括《春光乍泄摄影手记》和《飞行记》。其它的没看过也顺便看看吧。大家慢慢看图养养眼，我会尽快把后面的翻译出来……

回来啦，回来啦~

The Back of Leslie's Head
Leslie的后脑勺
Leslie's gone (again), but we stillneed him for this and that. Obviously wecan't do dialogue or close-ups, and sowe cast for the back of his head. Allsorts and sizes of contenders come to the office, some so brave theirdetermination could bend a fork. One ofthem is asking, 'you don't want me to sing or dance?' An assistant replies,'No, it's posture that counts,' dismissing him with a Polaroid snap, atelephone number and the classic, gruff, 'We'll let you know.'
Leslie（再次）走了，但我们仍然在这里或那里需要他。很显然，我们不能拍对话或特写，所以我们要为他的后脑勺挑选演员。各种形形色色的都来办公室竞逐，有一些特别勇敢，他们的决心可以把叉子折弯。其中一个问， “你不希望我唱歌或跳舞吗？ ”一名助理说：“不，姿势才是重要的”照了张宝丽来像，留下电话号码就让他走了，粗声粗气地说了句经典的 “我们会通知你的。 ”

Top-heavy and Round-footed
头重脚圆
I'm faint. My feet seem to roll under my weight. I totter and stagger, top-heavy with astifling cold. Illness, tiredness andgoing to the toilet are rarely accounted for in scripts, and so there's no oneand no time to feel sorry for me. But Ido feel apologetic and remorseful that my work tonight will be less smooth andinterpretive than I expect it to be.
我头晕。我的脚似乎在我的体重下滚动。我蹒跚和踉跄，令人窒息的感冒让我感到头重。在剧本中基本不会考虑生病，疲倦和上厕所，所以没有任何人也没有任何时间来可怜我。但我真的觉得抱歉和懊悔，因为今晚我的工作会比我期望的要少了些顺畅和诠释。

October Ends... November Never Will
十月结束了... 11月永远不会
Christmas in Argentina no longer sounds like a crew in-joke. Shirley Kwan and Chang Chen have arrived to join the cast - or what we're starting to call the 'casualtylist'. They idle in their rooms waiting for their roles to materialize while WKW hides in nearby coffee shops hoping for the same. We stop shooting for the umpteenth time to 'save money', to 'acclimatize our new stars'. Now that they're here, we fret over what to do with them and over the thematic justification for them to even be here at all.
在阿根廷过圣诞节听起来不再像一个剧组的内部玩笑。关淑怡和张震已经到了剧组- 或者（到了）我们所谓的“伤亡名单” 。他们在自己的房间里闲着，等待他们的角色成型；此时此刻王家卫躲在附近的咖啡店里，抱着同样的希望。我们无数次停止拍摄去“省钱”，去“让新演员适应” 。现在他们来了，我们（不但）不知道该要他们做什么，甚至为他们来这的根本理由而烦恼。I

我……
回……
来……
了……

F&F版的就真的快完了。
但是《飞行记》里还有一两段哥哥的这里没有，也有几段也许大家会想知道的，这里也没有……所以“完了”以后还会加一些料……

Real Time
实时
It's early 1997, Chang Chen is twentyyears old, the age at which Taiwanese male are obliged to begin military service.Since it's also the age at which the teenage girl population of Taiwan hasfallen for him, half of the entertainment industry is pulling strings to keephim out of the army for the moment, so that he can pursue his career as anactor and singer.
这是1997年初，张震20岁，台湾男性不得不开始服兵役的年龄。由于这也是台湾少女爱上他的年龄，半个娱乐圈在想办法让他暂时不服兵役，让他可以追求演员和歌手的职业生涯。
We're in Taiwan for a couple of days toshoot another possible ending for our story. Tony has come to Taipei to lookfor Chang Chen; he finds the family's noodle stall, but the only trace of Changhimself is a photo of him by the lighthouse at the end of the world, stuck to amirror by the phone, Tony steals it.
我们来台湾一两天拍摄故事的另一个可能的结局。Tony来台北看张震，他发现（张）家里的面条摊位，但张本人唯一的踪迹只是他在世界尽头灯塔旁的照片，被夹在电话旁的镜子上，Tony把它偷了。
Taipei hasn't changed much. Filmremains an amusement for the gangster fraternity and amateur auteurs.Everything is ad hoc and totally haphazard. We fumble through regardless,ending with shots of Tony riding the notorious new elevated railway through therain.
台北没有太大的改变。电影仍然是黑帮和业余导演的娱乐。一切都是临时的，完全杂乱无章。无论如何，我们仍旧笨拙地拍完了，用Tony雨中乘坐臭名昭著的新高架铁路作为结尾。

Upside-down
颠倒
Today (6 April) we're shooting in HK.The film needs some reference to where Tony has come from, his reflection onhis own space. He's looking back from Argentina, on the other side of theworld, and so we turn the camera on its head and shoot the streets of HK upside-down.
今天（6月4日）我们在香港拍摄。电影需要对Tony的历史做一些交代，他对自己的空间的反思。他回头看阿根廷，在世界的另一边，所以我们把摄像机颠倒过来，拍摄颠倒的香港街景。