哈利·波特与密室：女性主义解读/荣格梦境，媒体与信息研究
Harry Potter and the Chamber of Secrets: Feminist interpretations/Jungian dreams, Studies in Media and Information
时间：2004
作者：Michelle Yeo
简介：这篇文章是对电影《哈利·波特与密室》的女性/主义解构。从女性/主义和精神分析的角度解读神话符号系统，揭示/父/权和圣经的底层结构。探索主题包括儿童救赎者的神话、血的象征、夏娃和创世记中的蛇。这部电影被解读为荣格主义意义上的一个社会梦想，指向一个集体神话。
This article is a feminist deconstruction of the film Harry Potter and the Chamber of Secrets. It explores the underlying symbol system at work beneath a veneer of politically correct treatment of gender issues. This symbol system is read mythically from a feminist and psychoanalytic standpoint, exposing its deeply patriarchal and Biblical substructure. Themes such as the myth of the child redeemer, blood symbolism, and Eve and the serpent as found in Genesis are explored. The film is read as a societal dream in the Jungian sense, pointing to a collective mythology that responds to an oppressive view of the feminine.

奇幻灵性：怪兽、英雄与当代信仰
Fantastic Spiritualities: Monsters, Heroes and the Contemporary Religious
Chapter 7 Transforming Worlds Harry Potter: 'Toujours Pur'
时间：2010
作者：J'annine Jobling
（这本书引用了前一篇文章，所以我把它们并列贴上来）

简介：
In this work Jobling argues that religious sensibility in the Western world is in a process of transformation, but that we see here change, not decline, and that the production and consumption of the fantastic in popular culture offers an illuminating window onto spiritual trends and conditions. She examines four major examples of the fantastic genre: the Harry Potter series (Rowling), His Dark Materials (Pullman), Buffy the Vampire Slayer (Whedon) and the Earthsea cycle (Le Guin), demonstrating that the spiritual universes of these four iconic examples of the fantastic are actually marked by profoundly modernistic assumptions, raising the question of just how contemporary spiritualities (often deemed postmodern) navigate philosophically the waters of truth, morality, authority, selfhood and the divine. Jobling tackles what she sees as a misplaced disregard for the significance of the fantasy genre as a worthy object for academic investigation by offering a full-length, thematic, comparative and cross-disciplinary study of the four case-studies proposed, chosen because of their significance to the field and because these books have all been posited as exemplars of a 'postmodern' religious sensibility. This work shows how attentiveness to spiritual themes in cultural icons can offer the student of theology and religions insight into the framing of the moral and religious imagination in the late twentieth and twenty-first centuries and how this can prompt traditional religions to reflect on whether their own narratives are culturally framed in a way resonating with the 'signs of the times'.

这本书的截图是我2020.6.9搞的。