书名 Harry Potter as Ring Composition and Ring Cycle
时间 2010
作者 John Granger
文章标题 The Hogwarts Saga as Ring Composition
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What we’re looking for is a story shape that is classical, Christian, and relatively contemporary because that would be a match with the sort of reading Ms. Rowling has done and the natural shape for this pattern focused writer to use as a template for her books and as principle in her decisions about those stories, all the way down to the details of the names. That shape is a circle and the template common to classical, Christian, and relatively contemporary fiction is the Ring Composition.
环形结构在古典文学、基督教文学和当代文学中都很常见。
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I’ve explained above why this shape has its power. I urge you, if you want to know more about the universality of the template across millennia and all cultures to read Thinking in Circles: An Essay on Ring Composition (Yale, 2007) by renowned anthropologist Mary Douglas. In Thinking, she details how stories from Homer’s Iliad to Laurence Sterne’s The Life and Opinions of Tristam Shandy, Gentlemen, to include key passages and books of the Old and New Testaments and epics from
every aural culture living and dead are configured as rings with specific characteristics. She explains that this “macro-structure” is invisible to we analytic modern readers who are focused on plot, language, and theme but that its internal echoing on top of its beginning and end conjunction mark a ring as deliberate artistry.
关于这种跨越数千年和各文化的普遍性模板,如果你想了解更多,可以阅读由著名人类学家玛丽·道格拉斯撰写的论文——Thinking in Circles: An Essay on Ring Composition(Yale, 2007)。在文中,作者详细描述了从荷马的《伊利亚特》到劳伦斯·斯特恩的《项狄传》,还有《旧约》和《新约》,以及尚存或消亡的各民族的史诗,是如何组成环形结构的。她解释道,对于专注于分析情节、语言和主题的现代读者来说,这个“宏观结构”是无形的,但是首尾相接、内部呼应、最终组成环形是一种需要精心设计的艺术技巧。
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For our purposes I think the seven rules can be distilled even further down to just four characteristics:
1. The Beginning and End Meet
2. The Big Turn
3: Parallel Front and Back Halves
4: Rings Within Rings
环形结构的四个特点:
1. 首尾相接
2. 大转折(出现在中间)
3. 前后两部分平行
4. 环中之环
时间 2010
作者 John Granger
文章标题 The Hogwarts Saga as Ring Composition
ㅤ
What we’re looking for is a story shape that is classical, Christian, and relatively contemporary because that would be a match with the sort of reading Ms. Rowling has done and the natural shape for this pattern focused writer to use as a template for her books and as principle in her decisions about those stories, all the way down to the details of the names. That shape is a circle and the template common to classical, Christian, and relatively contemporary fiction is the Ring Composition.
环形结构在古典文学、基督教文学和当代文学中都很常见。
ㅤ
I’ve explained above why this shape has its power. I urge you, if you want to know more about the universality of the template across millennia and all cultures to read Thinking in Circles: An Essay on Ring Composition (Yale, 2007) by renowned anthropologist Mary Douglas. In Thinking, she details how stories from Homer’s Iliad to Laurence Sterne’s The Life and Opinions of Tristam Shandy, Gentlemen, to include key passages and books of the Old and New Testaments and epics from
every aural culture living and dead are configured as rings with specific characteristics. She explains that this “macro-structure” is invisible to we analytic modern readers who are focused on plot, language, and theme but that its internal echoing on top of its beginning and end conjunction mark a ring as deliberate artistry.
关于这种跨越数千年和各文化的普遍性模板,如果你想了解更多,可以阅读由著名人类学家玛丽·道格拉斯撰写的论文——Thinking in Circles: An Essay on Ring Composition(Yale, 2007)。在文中,作者详细描述了从荷马的《伊利亚特》到劳伦斯·斯特恩的《项狄传》,还有《旧约》和《新约》,以及尚存或消亡的各民族的史诗,是如何组成环形结构的。她解释道,对于专注于分析情节、语言和主题的现代读者来说,这个“宏观结构”是无形的,但是首尾相接、内部呼应、最终组成环形是一种需要精心设计的艺术技巧。
ㅤ
For our purposes I think the seven rules can be distilled even further down to just four characteristics:
1. The Beginning and End Meet
2. The Big Turn
3: Parallel Front and Back Halves
4: Rings Within Rings
环形结构的四个特点:
1. 首尾相接
2. 大转折(出现在中间)
3. 前后两部分平行
4. 环中之环











