YES，尼金斯基是位具有天赋的、癫狂、脆弱、带有传奇性的艺人
其实我在20L提到的Rudolf Nureyev，也是一位有特别经历和出众才华的舞蹈演员
Nijinsky, Nureyev, "Gods" of dance - Rudolf Nureyev and Vaslav Nijinsky - Editorial
（舞蹈之神 -- Rudolf Nureyev and Vaslav Nijinsky）
http://findarticles.com/p/articles/mi_m1083/is_n2_v69/ai_16686021/
Few artists have had the gifts and the opportunities to revolutionize their art to the extent that Vaslav Nijinsky (1888?-1950) and Rudolf Nureyev (1938-1993) did. The young Nureyev was often called the "new Nijinsky" for good reason; both were called "gods of the dance" at various times; and it is still not uncommon to evoke divinity when referring to enormously popular, high-profile cultural, political, or religious idols.
The psychiatrist Carl Jung observed that "Great gifts are the fairest and often the most dangerous fruits on the tree of humanity. They hang on the weakest branches, which easily break." Both Nijinsky, whose early, well-documented psychosis is now arguably the dominant fact of his short, brilliant career, and Nureyev, whose insatiable ego drove his dancing career long past the time when he should have retired from the stage, were psychologically damaged goods as the result of remarkably similar early years of hardship in Russia, where their phenomenal gifts were first recognized and nurtured at St. Petersburg's world-famous school and Maryinsky Theater. Both left Russia early--generations apart--escaping to some degree the Maryinsky's hothouse environment, but both were basically maladapted to the world outside their native environment. Nijinsky's great dream, even to the end of his tragic life, was to return home (he never did), Nureyev did return thirty years after his 1961 defection from the Soviet Union to the West to give a disastrous performance that sadly revealed the great legend in disintegration. The performance was apparently not important; returning home to Russia was.
其实我在20L提到的Rudolf Nureyev，也是一位有特别经历和出众才华的舞蹈演员
Nijinsky, Nureyev, "Gods" of dance - Rudolf Nureyev and Vaslav Nijinsky - Editorial
（舞蹈之神 -- Rudolf Nureyev and Vaslav Nijinsky）
http://findarticles.com/p/articles/mi_m1083/is_n2_v69/ai_16686021/
Few artists have had the gifts and the opportunities to revolutionize their art to the extent that Vaslav Nijinsky (1888?-1950) and Rudolf Nureyev (1938-1993) did. The young Nureyev was often called the "new Nijinsky" for good reason; both were called "gods of the dance" at various times; and it is still not uncommon to evoke divinity when referring to enormously popular, high-profile cultural, political, or religious idols.
The psychiatrist Carl Jung observed that "Great gifts are the fairest and often the most dangerous fruits on the tree of humanity. They hang on the weakest branches, which easily break." Both Nijinsky, whose early, well-documented psychosis is now arguably the dominant fact of his short, brilliant career, and Nureyev, whose insatiable ego drove his dancing career long past the time when he should have retired from the stage, were psychologically damaged goods as the result of remarkably similar early years of hardship in Russia, where their phenomenal gifts were first recognized and nurtured at St. Petersburg's world-famous school and Maryinsky Theater. Both left Russia early--generations apart--escaping to some degree the Maryinsky's hothouse environment, but both were basically maladapted to the world outside their native environment. Nijinsky's great dream, even to the end of his tragic life, was to return home (he never did), Nureyev did return thirty years after his 1961 defection from the Soviet Union to the West to give a disastrous performance that sadly revealed the great legend in disintegration. The performance was apparently not important; returning home to Russia was.
